Carlyle's laugh, and other surprisesHigginson, Thomas Wentworth
History
Carlyle's laugh, and other surprises
Higginson, Thomas Wentworth
American literature -- History and criticism; Authors, American
“Bret Harte is always simple and modest. He is terribly tired of ‘The
Heathen Chinee,’ and almost annoyed at its popularity when better things
of his have been less liked”—the usual experience of authors.
I find again, May 15, 1871: “I went up last Wednesday night to the Grand
Army banquet [in Boston] and found it pleasant. The receptions of Hooker
and Burnside were especially ardent. At our table we were about to give
three cheers for Bret Harte as a man went up to the chief table. It
turned out to be Mayor Gaston.” This mistake, however, showed Harte’s
ready popularity at first, though some obstacles afterwards tended to
diminish it. Among these obstacles was to be included, no doubt, the San
Francisco newspapers, which were constantly showered among us from the
Pacific shores with all the details of the enormous debts which Bret
Harte had left behind him, and which he never in his life, so far as I
could hear, made a serious effort to discharge. Through some distrust
either of my friendship or of my resources, he never by any chance even
offered, I believe, to borrow a dollar of me; but our more generous
companion, George Waring, was not so fortunate.
Another person, of nobler type, appears but imperfectly in my letters,
namely, Miss Charlotte Cushman. I find, to be sure, the following
penetrating touches from a companion who had always that quality, and
who says of Miss Cushman, in her diary: “She is very large, looks like
an elderly man, with gray hair and very red cheeks—full of action
and gesture—acts a dog just as well as a man or woman. She seems
large-hearted, kind, and very bright and quick—looks in splendid health.
She will be here for this month, but may take a house and return.” This
expectation was fulfilled, and I find that the same authority later
compared Miss Cushman in appearance to “an old boy given to eating apples
and snowballing”; and, again, gave this description after seeing Miss
Cushman’s new house: “The wildest turn of an insane kaleidoscope—the
petrified antics of a crazy coon—with a dance of intoxicated
lightning-rods breaking out over the roof.” This youthful impulsiveness
was a part of her, and I remember that once, as we were driving across
the first beach at Newport, Miss Cushman looked with delight across the
long strip of sand, which the advancing waves were rapidly diminishing,
as the little boys were being driven ashore by them, and exclaimed, “How
those children have enjoyed running their little risk of danger! I know
I did when I was a boy,” and there seemed nothing incongruous in the
remark, nor yet when she turned to me afterwards and asked, seriously,
whether I thought suicide absolutely unpardonable in a person proved to
be hopelessly destined to die of cancer,—a terror with which she was
long haunted. Again, I remember at one fashionable reception how Miss
Cushman came with John Gilbert, the veteran actor, as her guest, and how
much higher seemed their breeding, on the whole, than that of the mere
Public-domain text, read in full here on John Shaqi.
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