Ay, to save and redeem and restore, snatch Saul, the mistake,
Saul, the failure, the ruin he seems now,--and bid him awake from
the dream, the probation, the prelude, to find himself set clear
and safe in new light and new life,--a new harmony yet to be run
and continued and ended.
--_Browning._
CARMEN ARIZA
CHAPTER 1
Josè de Rincón opened his eyes and turned painfully on his hard bed.
The early sun streamed through the wooden grating before the unglazed
window. A slight, tepid breeze stirred the mosquito netting over him.
He was in the single sleeping room of the house. It contained another
bed like his own, of rough _macana_ palm strips, over which lay a
straw mat and a thin red blanket. Bed springs were unknown in Simití.
On the rude door, cobwebbed and dusty, a scorpion clung torpidly. From
the room beyond he heard subdued voices. His head and limbs ached
dully; and frightful memories of the river trip and the awful journey
from Badillo sickened him. With painful exertion he stood upon the
moist dirt floor and drew on his damp clothes. He had only a vague
recollection of the preceding night, but he knew that Rosendo had half
led, half dragged him past rows of dimly lighted, ghostly white houses
to his own abode, and there had put him to bed.
"_Muy buenos dias, Señor Padre_," Rosendo greeted him, as the priest
dragged himself out into the living room. "You have slept long. But
the señora will soon have your breakfast. Sit here--not in the sun!"
Rosendo placed one of the rough wooden chairs, with straight cowhide
back and seat, near the table.
"Carmencita has gone to the boat for fresh water. But--here she comes.
Pour the _Señor Padre_ a cup, _carita_," addressing a little girl who
at that moment entered the doorway, carrying a large earthen bottle on
her shoulder. It was the child who had met the boat when the priest
arrived the night, before.
"Fill the basin, too, _chiquita_, that the Padre may wash his hands,"
added Rosendo.
The child approached Josè, and with a dignified little courtesy and a
frank smile offered him a cup of the lukewarm water. The priest
accepted it languidly. But, glancing into her face, his eyes suddenly
widened, and the hand that was carrying the tin cup to his lips
stopped.
The barefoot girl, clad only in a short, sleeveless calico gown, stood
before him like a portrait from an old master. Her skin was almost
white, with but a tinge of olive. Her dark brown hair hung in curls to
her shoulders and framed a face of rarest beauty. Innocence, purity,
and love radiated from her fair features, from her beautifully rounded
limbs, from her soft, dark eyes that looked so fearlessly into his
own.
Public-domain text, read in full here on John Shaqi.
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