"A minute later, I noticed there was a change in the color of the night
in the cellar, and it grew slowly violet tinted upon my eyes. I glanced
to and fro, quickly, in the new darkness, and even as I looked, I was
conscious that the violet color deepened. In the direction of the well,
but seeming to be at a great distance, there was, as it were, a nucleus
to the change; and the nucleus came swiftly toward us, appearing to come
from a great space, almost in a single moment. It came near, and I saw
again that it was a little naked Child, running, and seeming to be of the
violet night in which it ran.
"The Child came with a natural running movement, exactly as I described
it before; but in a silence so peculiarly intense, that it was as if it
brought the silence with it. About half-way between the well and the
table, the Child turned swiftly, and looked back at something invisible
to me; and suddenly it went down into a crouching attitude, and seemed
to be hiding behind something that showed vaguely; but there was
nothing there, except the bare floor of the cellar; nothing, I mean, of
our world.
"I could hear the breathing of the three other men, with a wonderful
distinctness; and also the tick of my watch upon the table seemed to
sound as loud and as slow as the tick of an old grandfather's clock.
Someway I knew that none of the others saw what I was seeing.
"Abruptly, the landlord, who was next to me, let out his breath with a
little hissing sound; I knew then that something was visible to him.
There came a creak from the table, and I had a feeling that the inspector
was leaning forward, looking at something that I could not see. The
landlord reached out his hand through the darkness, and fumbled a moment
to catch my arm:--
"'The Woman!' he whispered, close to my ear. 'Over by the well.'
"I stared hard in that direction; but saw nothing, except that the violet
color of the cellar seemed a little duller just there.
"I looked back quickly to the vague place where the Child was hiding. I
saw it was peering back from its hiding place. Suddenly it rose and ran
straight for the middle of the table, which showed only as vague shadow
half-way between my eyes and the unseen floor. As the Child ran under the
table, the steel prongs of my pitchfork glimmered with a violet,
fluctuating light. A little way off, there showed high up in the gloom,
the vaguely shining outline of the other fork, so I knew the inspector
had it raised in his hand, ready. There was no doubt but that he saw
something. On the table, the metal of the five lanterns shone with the
same strange glow; and about each lantern there was a little cloud of
absolute blackness, where the phenomenon that is light to our natural
eyes, came through the fittings; and in this complete darkness, the metal
of each lantern showed plain, as might a cat's-eye in a nest of black
cotton wool.
Public-domain text, read in full here on John Shaqi.
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