Bildungsromans; Man-woman relationships -- Fiction; Scotland -- Social life and customs -- Fiction
This and the entrance of breakfast revived everybody, and when a genuine
blaze crackled in the grate they thought Greenwich was not so bad after
all; though Maurice could not persuade anybody to stand by the bleak
windows flecked with raindrops and watch the big ships going out on the
ebb.
"But what shall we do?" Jenny demanded. "I can't go home after the milk.
I shall get into a most shocking row."
"You can explain matters," Cunningham suggested.
"Yes, I should say. Who'd believe we should be so mad as to rush off to
Greenwich on a pouring morning for breakfast? No, I must say I slept
with Ireen."
"Well, why don't you come back and go to bed at my place?" Irene
suggested. "You can go home tea-time."
"All right. I will."
Maudie and Madge decided to copy the example of the other two, by going
back together to Mrs. Wilson's house near the Elephant and Castle.
"Only we ought to change our clothes first," Jenny said. "What of it
though? We've got cloaks."
"I shouldn't mind changing," said Castleton. "These claret-colored
overalls of mine will inevitably attract the public vision."
"Rot!" said Maurice. "We can all drive down to the Elephant--although,
by the way, we ought to stop at the Marquis of Granby and look at the
Museum."
"To the deuce with all museums," cried Ronnie. "I want my bed."
"You are an unsporting lot," Maurice protested. "Then we'll stop at the
'Elephant,' and the girls can go home in two taxis and we'll go back in
the others."
So it was arranged; and, having paid the bill and politely assented to
the waiter's suggestion that they should come over in the summer-time to
a whitebait dinner, they left behind them the Sloop Hotel, Greenwich.
On the way back to London, Maurice attempted to point out to Jenny the
foolishness of her present style of living.
"All this fuss about whether you go home before or after the milk. I
can't understand why you let yourself be a slave to a family. I really
can't."
"But I'm not," said Jenny indignantly. "Only that doesn't say I'm going
to live with you, if that's what you mean."
Somehow the wet and dreary morning gave a certain crudity of outline to
the situation, destroying romantic enchantments and accentuating the
plain and ugly facts.
"You'd be ever so much happier if you did."
"Oh, well, who cares?"
"I wish you wouldn't say that."
"Well, what an unnatural time to talk about where I'm going to live and
what I'm going to do."
"It's extraordinary," said Maurice, "how much you're influenced by the
unimportant little things of life. I'm as much in love with you now as I
was last night when we were waltzing. You're not."
"I don't love anything now except bed."
"Yet I'm just as tired as you are."
"Who cares?"
"Damn it. Don't go on saying that. I can't think where you got hold of
that infernal expression."
"You are in a nasty mood," said Jenny sullenly.
"So are you."
"Well, why did you drag me out all this way in the early morning?"
Public-domain text, read in full here on John Shaqi.
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