Caroline the Illustrious, vol. 1 (of 2) : $b Queen-Consort of George II. and sometime Queen-Regent; a study of her life and timeWilkins, W. H. (William Henry)
History
Caroline the Illustrious, vol. 1 (of 2) : $b Queen-Consort of George II. and sometime Queen-Regent; a study of her life and time
Wilkins, W. H. (William Henry)
Caroline, Queen, consort of George II, King of Great Britain, 1683-1737
The Kensington promenades were only a small part of the busy Court life
of the day. Almost every evening drawing-rooms were held at St. James’s
Palace, at which were music and cards. The latter became the rage in
season and out of season, and high play was the pastime of every one at
Court. On one occasion at the Princess’s court the Prince was “ill of a
surfeit” and obliged to keep his bed, so that the ordinary levée could
not be held. But he was not to be cheated of his game, and the ladies
in waiting were summoned, tables were placed, and they were all set to
play at ombre with the lords of the Prince’s bedchamber. And on another
occasion Lady Cowper writes of the King’s drawing-room at St. James’s:
“There was such a Court I never saw in my life. My mistress and the
Duchess of Montagu went halves at hazard and won six hundred pounds.
Mr. Archer came in great form to offer me a place at the table, but
I laughed and said he did not know me if he thought I was capable of
venturing two hundred guineas at play, for none sat down to the table
with less.” Deep drinking went with the high play. One George Mayo was
one night turned out of the royal presence “for being drunk and saucy.
He fell out with Sir James Baker, and in the fray pulled him by the
nose.”
[Illustration: KING GEORGE I.
_From the Painting by Sir Godfrey Kneller in the National Portrait
Gallery._]
The Court was no longer exclusive as in the days of Queen Anne, almost
every one of any station came who would, and in the crowded rooms there
was a good deal of pushing and hustling to get within sight of the
Royal Family. The Venetian ambassadress, Madame Tron, a very lively
lady, was so hustled one night that she kept crying, “Do not touch my
face,” and she cried so loud that the King heard her, and turning to a
courtier behind him said: “Don’t you hear the ambassadress? She offers
you all the rest of her body provided you don’t touch her face.” A
pleasantry truly Georgian. These crowded drawing-rooms were a great
change to what St. James’s was in Queen Anne’s time, where, according
to Dean Swift, who gives us an account of one of her receptions,
“the Queen looked at us with a fan in her mouth, and once a minute
said about three words to some one who was near her. Then she was told
dinner was ready and went out.” Now every event in the Royal Family was
made the pretext for further gaiety. “This day, 30th October” [1714],
writes Lady Cowper, “was the Prince’s birthday; I never saw the Court
so splendidly fine. The evening concluded with a ball, which the Prince
and Princess began. She danced in slippers very well; the Prince better
than anybody.”
Public-domain text, read in full here on John Shaqi.
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