Caroline the Illustrious, vol. 1 (of 2) : $b Queen-Consort of George II. and sometime Queen-Regent; a study of her life and timeWilkins, W. H. (William Henry)
History
Caroline the Illustrious, vol. 1 (of 2) : $b Queen-Consort of George II. and sometime Queen-Regent; a study of her life and time
Wilkins, W. H. (William Henry)
Caroline, Queen, consort of George II, King of Great Britain, 1683-1737
Under the unlovely auspices of the dull old King and his duller
mistresses, Hampton Court was a very different place to what it had
been during the summer of the Prince of Wales’s regency. “Our gallantry
and gaiety,” writes Pope to Lady Mary Wortley Montagu, “have been great
sufferers by the rupture of the two Courts, here: scarce any ball,
assembly, basset-table or any place where two or three are gathered
together. No lone house in Wales, with a rookery, is more contemplative
than Hampton Court. I walked there the other day by the moon, and met
no creature of quality but the King, who was giving audience all alone
to the birds under the garden wall.”[104] The King tried to remedy this
state of affairs by commanding the Drury Lane Company to come down to
Hampton Court and give performances there. The magnificent Great Hall
was fitted up as a theatre, and seven plays were performed, of which
the favourite was _King Henry the Eighth_. Steele wrote a prologue,
and Colley Cibber tells us that the King greatly enjoyed these plays,
“as the actors could see from the frequent satisfaction in his looks
at particular scenes and passages”.[105] In that case the King must
have read translations beforehand, as he knew no English--certainly not
Shakespeare’s English. The expenses of each representation amounted to
only £50, but the King was so delighted that he gave the company
£200 in addition, which the grovelling Cibber declares was “more than
our utmost merit ought to have hoped for”.[106] Basking as he did in
the sunshine of the royal favour, Colley Cibber was a stout upholder
of the House of Hanover, and a contemner of the House of Stuart. In
his comedy _The Non-Juror_, he roundly abused the Jacobites, and his
dedication of it to the King will remain as one of the most fulsome
dedications of a fulsome age. It began: “In a time when all communities
congratulate your Majesty on the glories of your reign, which are
continually arising from the prosperities of your people, be graciously
pleased, dread Sire, to permit the loyal subjects of your theatre to
take this occasion of humbly presenting their acknowledgements for your
royal favour and protection”.
Public-domain text, read in full here on John Shaqi.
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