Queen Caroline is distinguished from the other Queens-Consort of England as the one who took a genuine interest in literature; in this respect she surpassed all our Queens-Regnant as well, though Elizabeth, and in a far lesser sense Anne, showed an appreciation of letters. The age of Elizabeth has been called the golden age of English literature: the reign of Anne the Augustan period. There can be no doubt as to the correctness of the first of these designations; the second is open to cavil. But though the English writers who flourished during the early part of the eighteenth century could not compare in loftiness or genius to the writers of the reign of Elizabeth, yet they formed a galaxy of talent--talent amounting in some instances to positive genius--which England has never witnessed since. This galaxy shone throughout the reigns of Anne and George the First, but soon after Caroline came to the throne its brilliance began to wane. Some of the greatest writers were dead, and others had already given their best work to the world. It must be admitted that Queen Caroline’s judgment in literature was not always as sound as her interest was genuine--in English literature at least. Her imperfect knowledge of the English language had something to do with this; one can hardly master the literature of a country if one does not begin to speak its language until middle life. In French and German literature she was far better equipped. She had read much and widely of them both, and of her favourite studies of metaphysics, philosophy and theology had perhaps taken in more than she could assimilate. Her correspondence with learned and scientific men kept her abreast of the best thought of the time, and no work of conspicuous merit made its appearance in Europe without Caroline’s coming, directly or indirectly, in touch with its author. When Voltaire, for instance, visited England he received ready help and generous appreciation at Caroline’s hands.