Caroling dusk : $b an anthology of verse by Negro poets
General
Caroling dusk : $b an anthology of verse by Negro poets
African Americans -- Poetry; American poetry -- African American authors
JONATHAN HENDERSON BROOKS
I was born on a farm twelve miles southwest of Lexington,
Mississippi, in 1904. When I was eleven years
old our family was disunited by divorce. My three sisters
and only brother went with father while I chose to become
my mother’s “little ploughman.” We worked around on
“half shares” in the community of my birth until I was
fourteen, and then my mother, who had managed somehow
to save enough money to keep me in school for four
months, sent me to Jackson College. It was here that I
received my first material recognition for writing when
I was awarded the first prize in a local contest for my
first story, entitled “The Bible In The Cotton Field.”
Mother’s plan was to send me back to Jackson College
again the following year, but the white landlord took her
entire crop of four bales to cover the land rent of my
uncle with whom we had gone to live in Humphreys
County that year.
My formal education has been interrupted more than
once by periods of farming and teaching. I moved up
my years and taught two five-months sessions in Humphreys
County before I finished my high school work. In
the fall of 1923 I matriculated at Lincoln University,
Missouri, and graduated from its high school department
in June 1925 with salutatory honors. Lincoln was very
kind to me during those two years--the happiest I have
known in all my life. It gave me work enough to cover
my expenses while attending there, twice chose me the
president of my class, and bestowed upon me each of the
three first prizes it offers in the high school department,
besides electing me class poet and giving me a host of
staunch friends.
I am now pursuing my college work at Tougaloo College
and am part time pastor of the second Baptist Church
of Kosciusko, Mississippi.
THE RESURRECTION
His friends went off and left Him dead
In Joseph’s subterranean bed,
Embalmed with myrrh and sweet aloes,
And wrapped in snow-white burial clothes.
Then shrewd men came and set a seal
Upon His grave, lest thieves should steal
His lifeless form away, and claim
For Him an undeserving fame.
“There is no use,” the soldiers said,
“Of standing sentries by the dead.”
Wherefore, they drew their cloaks around
Themselves, and fell upon the ground,
And slept like dead men, all night through,
In the pale moonlight and chilling dew.
A muffled whiff of sudden breath
Ruffled the passive air of death.
He woke, and raised Himself in bed;
Recalled how He was crucified;
Touched both hands’ fingers to His head,
And lightly felt His fresh-healed side.
Then with a deep, triumphant sigh,
He coolly put His grave-clothes by--
Folded the sweet, white winding sheet,
The toweling, the linen bands,
The napkin, all with careful hands--
And left the borrowed chamber neat.
His steps were like the breaking day:
So soft across the watch He stole,
He did not wake a single soul,
Nor spill one dewdrop by the way.
Public-domain text, read in full here on John Shaqi.
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