American fiction -- 20th century; Short stories, American
That was a big room and the darndest looking room I ever see, and it
smelt strong enough to chase a Hungarian pig sticker out of a Chicago
slaughter house. It smelt like a drug store had died of old age and got
buried in a glue factory. I never seen so much scientific effusions and
the things to hold 'em in mixed up in one place before. They must of
been several brands of science being mixed up there all to once. They
was dinky little stoves, they was glass jars of all shapes and sizes
labeled with Dago names standing around on shelves like in one of them
Dutch delicatessen stores; they was straight glass tubes and they was
glass tubes that had the spinal contortions; they was bones and they
was whole skeletons, and they was things that looked like whisky stills;
they was a bookcase full of bugs and butterflies against one wall; they
was chunks of things that might have been human for all I know floating
around in vats like pickled pork in a barrel; they was beer schooners
with twisted spouts to them; they was microscopes and telescopes and
twenty-seven shapes and sizes of knives; they was crates of stuff that
was unpacked and crates that wasn't; and they was tables with things
just piled and spilled over 'em, every which way, and the looks of
everything was dirty on account of the perfessor not allowing any one in
there but himself and Miss Estelle and William. And whether you knowed
anything about them different brands of science or not you could see the
perfessor was one of them nuts that's always starting to do things and
then leaving them go and starting something else. It looked as if the
operating room of an emergency hospital and a blacksmith shop and a
people's free museum and a side show full of freaks, snakes and oneeyed
calves had all gone out and got drunk together, all four of them, and
wandered into a cremation plant to sleep off that souse; and when they
woke up they couldn't tell which was which nor nothing else except
they had a bad taste in their mouth and was sentenced to stay there
unseparated and unhappy and unsociable in each other's company for
evermore. And every time you turned around you stepped on something new,
and if you saw a rat or a lizard or a spider you better let him alone
for how was you going to tell he was dead or alive till he crawled up
you?
The perfessor, he was setting over by a window, and he pushed out
another chair for me and he says sit down.
“You are a gentleman of leisure?” he says, with a grin; or words to that
effect.
“I work at that sometimes,” I told him, “although it ain't rightly my
trade.”
“Biddy Malone says you're an agnostic,” he says, looking at me close.
It won't do, I thinks, to spring none of them agnostic gags on him, so I
says nothing.
“I'm one myself,” he says.
“Regular,” I asks him, “or just occasional?” He kind o' grins again, and
I thinks: “Billy, you're making a hit somehow.”
Public-domain text, read in full here on John Shaqi.
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