American fiction -- 20th century; Short stories, American
And I couldn't blame her so much, either, when I thought of Miss Estelle
and all them scientifics of the perfessor's strung out fur years and
years world without end.
Yet, when I seen the man, I sort o' wished she wouldn't. I seen right
off that Henry wouldn't do. It takes a man with a lot of gumption to
keep a woman feeling good and not sorry fur doing it when he's married
to her. But it takes a man with twicet as much to make her feel right
when they ain't married. This feller wears one of them little, brown,
pointed beards fur to hide where his chin ain't. And his eyes is too
much like a woman's. Which is the kind that gets the biggest piece of
pie at the lunch counter and fergits to thank the girl as cuts it big.
She was setting in front of a table, twisting her fingers together, and
he was walking up and down. I seen he was mad and trying not to show it,
and I seen he was scared of the smallpox and trying not to show that,
too. And just about that time something happened that kind o' jolted me.
They was one of them big chairs in the room where they was that has got
a high back and spins around on itself. It was right acrost from me, on
the other side of the room, and it was facing the front window, which
was a bow window. And that there chair begins to turn, slow and easy.
First I thought she wasn't turning. Then I seen she was. But Jane and
Henry didn't. They was all took up with each other in the middle of the
room, with their back to it.
Henry is a-begging of Jane, and she turns a little more, that chair
does. Will she squeak, I wonders?
“Don't you be a fool, Jane,” says the Henry feller.
Around she comes three hull inches, that there chair, and nary a squeak.
“A fool?” asks Jane, and laughs. “And I'm not a fool to think of going
with you at all, then?”
That chair, she moved six inches more and I seen the calf of a leg and
part of a crumpled-up coat tail.
“But I _am_ going with you, Henry,” says Jane. And she gets up just like
she is going to put her arms around him.
But Jane don't. Fur that chair swings clear around and there sets the
perfessor. He's all hunched up and caved in and he's rubbing his eyes
like he's just woke up recent, and he's got a grin on to his face that
makes him look like his sister Estelle looks all the time.
“Excuse me,” says the perfessor.
They both swings around and faces him. I can hear my heart bumping. Jane
never says a word. The man with the brown beard never says a word. But
if they felt like me they both felt like laying right down there and
having a fit. They looks at him and he just sets there and grins at
them.
But after a while Jane, she says:
“Well, now you _know!_ What are you going to do about it?”
Henry, he starts to say something, too. But----
“Don't start anything,” says the perfessor to him. “_You_ aren't going
to do anything.” Or they was words to that effect.
“Professor Booth,” he says, seeing he has got to say something or else
Jane will think the worse of him, “I am----”
Public-domain text, read in full here on John Shaqi.
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