Supper was now served. The conversation dragged a little at first, as if all were oppressed by the thought of the imminent leave-taking. Amalia seemed busied with her girls, concerned to see that they were not helped to too much or too little. Olivo, somewhat irrelevantly, began to speak of a trifling lawsuit he had just won against a neighboring landowner. Next he referred to a business journey to Mantua and Cremona, which he would shortly have to undertake. Casanova expressed the hope that ere long he would be able to entertain his friend in Venice, a city which, by a strange chance, Olivo had never visited. Amalia had seen the place of wonder as a child. She could not recall the journey thither, but could only remember having seen an old man wrapped in a scarlet cloak, disembarking from a long black boat. He had stumbled and had fallen prone. “Have you never been to Venice either?” asked Casanova of Marcolina, who was seated facing him, so that she could see over his shoulder into the deep gloom of the garden. She shook her head. Casanova mused: “If I could but show you the city in which I passed my youth! Had you but been young with me!” Another thought, as foolish as both of these, crossed his mind: “Even now, if I could but take you there with me.” While thus thinking, at the same time, with the ease of manner peculiar to him in moments of great excitement, he began to speak of his native city. At first his language was cool; he used an artist’s touch, as if painting a picture. Warming up by degrees, he entered into details of personal history, so that of a sudden his own figure appeared in the centre of the canvas, filling it with life. He spoke of his mother, the celebrated actress, for whom her admirer Goldoni had written his admirable comedy, _La Pupilla_. Next he recounted the unhappy days spent in Dr. Gozzi’s boarding school. Then he spoke of his childish passion for the gardener’s little daughter, who had subsequently run away with a lackey; of his first sermon as a young abbate, after which he found in the offertory bag, in addition to the usual collection, a number of love letters; of his doings as a fiddler in the orchestra of the San Samueli Theatre; of the pranks which he and his companions had played in the alleys, taverns, dancing halls, and gaming-houses of Venice--sometimes masked and sometimes unmasked. In telling the story of these riotous escapades, he was careful to avoid the use of any offensive epithet. He phrased his narrative in choice imaginative language, as if paying due regard to the presence of the young girls, who, like their elders, including Marcolina, listened with rapt attention. The hour grew late, and Amalia sent her daughters to bed. They all kissed Casanova a tender good-night, Teresina behaving exactly like her sisters. He made them promise that they would soon come with their father and mother to visit him in Venice. When they had gone, he spoke with less restraint, but