Cassell's History of England, Vol. 3 (of 8): From the Great Rebellion to the Fall of Marlborough.Anonymous
History
Cassell's History of England, Vol. 3 (of 8): From the Great Rebellion to the Fall of Marlborough.
Anonymous
Great Britain -- History
It has been said that his dramas cast into the shade and made
obsolete all that went before him; but, indeed, his great light
equally overwhelms also all that has come after him. Where is the
second Shakespeare of the stage? He still stands alone as the type of
dramatic greatness and perfection, and is likely to continue so. When
we recollect his marvellous characters--his Hamlet, his Macbeth, his
Lady Macbeth, his Othello, his Shylock, his Lear, his Ophelia, his
Beatrice, his Juliet, his Rosalind--the humours and follies of Shallow,
Slender, Dogberry, Touchstone, Bottom, Launce, Falstaff--or his ideal
creations, Ariel, Caliban, Puck, Queen Mab--we cannot hope for the
appearance of any single genius who shall at once enrich our literature
with such living and speaking characters, such a profound insight into
the depths and eccentricities of human nature, and such a fervent and
varied expression of all the sentiments that are dearest to our hearts.
But when we survey in addition the vast extent of history and country
over which he has roamed, gleaning thence the most kingly personages,
the most tragic incidents, the most moving and thrilling as well as the
most amusing sensations and fancies, our wonder is the greater. Greece
has lent him its Pericles, its Timon, its Troilus and Cressida--Rome
its Cæsar, Brutus, Antony, Coriolanus--Egypt its Cleopatra.
Ancient Britain, Scotland, and Denmark; all the fairest cities of
Italy--Venice, Verona, Mantua; the forests of Illyria and Belgium, and
the isles of the Grecian seas, are made the perpetually shifting arena
of his triumphs. Through all these he ranged with a free hand, and,
with a power mightier than ever was wielded by any magician, recalled
to life all that was most illustrious there, giving them new and more
piquant effect from the sympathetic nearness into which he brought
them with the spectator, and from the enchanting scenery with which
he surrounded them. All this was done by the son of the woolcomber of
Stratford--the youthful ranger of the woods of Charlecote, and the
uplands of Clopton,--the merry frequenter of country wakes, and then
the player of London, who, so far as we know, was never out of his
native land in his life.
Public-domain text, read in full here on John Shaqi.
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