Cassell's History of England, Vol. 4 (of 8): From the Fall of Marlborough to the Peninsular WarAnonymous
History
Cassell's History of England, Vol. 4 (of 8): From the Fall of Marlborough to the Peninsular War
Anonymous
Great Britain -- History
In the department of novel writing, no age had yet produced such a
constellation as Fielding, Richardson, Sterne, and Smollett. Their
works are still read with admiration by all who have a relish
for vivid and masterly delineations of life; their only drawback
being, that they are all more or less stained with the grossness and
licentiousness of the age. From these faults Samuel Richardson (_b._
1689; _d._ 1761) is most free, and in his "Sir Charles Grandison"
he hasshown himself ahead of his age in the wisdom and liberality
of his ideas. He discountenanced duelling, and taught the soundest
principles of honour and morality. The photographic minuteness of his
style prevents the general reading of his works in the present day
of abundant new literature. The principal novels of Henry Fielding
(_b._ 1707; _d._ 1754), "Joseph Andrews," "Tom Jones," and "Amelia,"
abound in wit, vigour, and knowledge of human nature. He wrote also
some plays, and edited several periodicals. His sister, Sarah, also
wrote "David Simple," a novel, and translated Xenophon's "Memoirs
of Socrates." Tobias Smollett (_b._ 1721; _d._ 1771) paints life in
strong, bold, but somewhat coarse lines, full of vigour, but with
even more grossness than Fielding uses. "Peregrine Pickle," "Count
Fathom," "Roderick Random," "Humphrey Clinker," and "Sir Launcelot
Greaves," if not now generally read, have been carefully studied and
made use of by some of our modern novelists. Smollett, besides, wrote
plays, satires, poems, and edited "The Briton," a weekly newspaper.
Laurence Sterne (_b._ 1713; _d._ 1768) struck out a style of writing
peculiar to himself, and which still defies all successful imitation.
Notwithstanding attempts to represent his pathos as grimace, and his
humour as tinsel, the felicity of touch in "Tristram Shandy," and the
flashes of wit and feeling in his "Sentimental Journey," will, in spite
of detractors, and of the occasional indecency of the author, always
send readers to Sterne.
One of the pioneers of the science of political economy at this time
was Dr. Davenant, the son of Sir William Davenant, the poet. He had
no genius for drawing principles and theories from accumulated facts,
but he was a diligent collector of them, and his porings amongst State
documents and accounts have served essentially the historians and
political economists of our day.
Public-domain text, read in full here on John Shaqi.
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