Cassell's History of England, Vol. 4 (of 8): From the Fall of Marlborough to the Peninsular WarAnonymous
History
Cassell's History of England, Vol. 4 (of 8): From the Fall of Marlborough to the Peninsular War
Anonymous
Great Britain -- History
Still more have "The Seasons" and "The Castle of Indolence" of James
Thomson retained, and are likely to retain, the public favour. "The
Seasons" is a treasury of the life and imagery of the country, animated
by a true love of Nature and of God, and abounding in passages of
fire, healthy feeling, and strong sense, often of sublime conceptions,
in a somewhat stiff and vicious style. "The Castle of Indolence" is
a model of metrical harmony and luxurious fancy, in the Spenserian
stanza. Another poet of the same time and country--Scotland--is Allan
Ramsay, who, in his native dialect, has painted the manners and sung
the rural loves of Scotland in his "Gentle Shepherd" and his rustic
lyrics. Till Burns, no Scottish poet so completely embodied the
spirit, feelings, and popular life of his country. Amongst a host of
verse-makers, then deemed poets, but who were merely imitators of
imitators, we must except Gray, with his nervous lyrics, and, above
all, his ever-popular "Elegy in a Country Churchyard." Gray also has a
genuine vein of wit and merriment in his verse. Collins was a poet who
under happier conditions might have done the greatest things. Parnell's
"Hermit," Blair's "Grave," Shenstone's "School Mistress," Akenside's
"Imagination," can yet charm some readers, and there are others in
great numbers whose works yet figure in collections of the poets, or
whose individual poems are selected in anthologies, as Smith, King,
Sprat Bishop of Rochester, Duke, Montague Earl of Halifax, Nicholas
Rowe, Dyer--author of the "Fleece," "Grongar Hill," and "Ruins of
Rome,"--Sheffield, Duke of Buckinghamshire, Fenton, Somerville--author
of "The Chase," "Field Sports," etc.,--Hammond--author of "Love
Elegies,"--Lord Lyttelton, Mallet, Mickle--author of the ballads of
"Cumnor Hall," "There's Nae Luck about the House," and translator
of the "Lusiad" of Camoens,--Shaw, Harte, West, Cawthorne, Lloyd,
Gilbert Cooper, Grainger--author of "The Sugar Cane," and the once
popular ballad of "Bryan and Pereene,"--Dodsley, poet and bookseller,
Boyse--author of "The Deity," a poem, etc.,--Smollett--more remarkable
as a novelist and historian,--Michael Bruce, Walsh, Falconer--author
of "The Shipwreck,"--Yalden, Pattison, Aaron Hill, Broome, Pitt--the
translator of Virgil,--John Philips--author of "Cider," a poem, "The
Splendid Shilling," etc.,--West, and others. In fact, this age produced
poets enough to have constituted the rhythmical literature of a nation,
had they had as much genius as they had learning.
Public-domain text, read in full here on John Shaqi.
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