Cassell's History of England, Vol. 4 (of 8): From the Fall of Marlborough to the Peninsular WarAnonymous
History
Cassell's History of England, Vol. 4 (of 8): From the Fall of Marlborough to the Peninsular War
Anonymous
Great Britain -- History
In sculpture at this period we stood much lower than in painting. Here
we had no Hogarth, nor even a Thornhill. All that was of any value in
this art proceeded from the chisels of foreigners, and even in that
what an immense distance from the grand simplicity of the ancients! The
sculpture of Italy and France was in the ascendant, but Bernini and
Roubiliac had little in common with Phidias and Praxiteles, and our
own sculptors presented a melancholy contrast to the work of artists
of the worst age of Greece or Rome; there is scarcely a name that is
worth mentioning. The best of the native sculptors was John Bushnell,
who was employed by Wren to execute the statues of the kings at Temple
Bar; and Francis Bird, who was also employed later by Wren to execute
"The Conversion of St. Paul," in the pediment of the new cathedral, the
bas-reliefs under the portico, and the group in front, all of a very
ordinary character. His best work is the monument of Dr. Busby in the
transept of Westminster Abbey. Besides this he executed the monument of
Sir Cloudesley Shovel, also at Westminster, and the bronze statue of
Henry VI., in the quadrangle of Eton College, both very indifferent.
Gibbs and Bird executed the ponderous and tasteless monument of
Holles, Duke of Newcastle, at Westminster, and the fine old minster is
disgraced by a crowd of still more contemptible productions of this
period. These can only be equalled in wretchedness by the works of a
trading school, who supplied copies in lead of ancient gods, goddesses,
shepherds, shepherdesses, etc., for the gardens of the nobility, which
soon swarmed in legions in all the gardens and areas in and around the
metropolis. Amongst the chief dealers in this traffic were Cheere and
Charpentier, who employed foreign artists, even, for such images, and
it was the fortune of Roubiliac to commence his English career with the
former of these traders. The three chief foreigners of this period were
Rysbraeck, Scheemakers, and Roubiliac, who were copyists of the French
sculptors Coysevox, Bouchardon, and Le Moyne, as these had been of
Bernini.
Notwithstanding the constant wars of this time, British shipping,
commerce, colonies, and manufactures made considerable progress. At
the commencement of this period the amount of shipping employed in
our commerce was altogether 244,788 tons, being 144,264 tons English,
and 100,524 foreign; in 1701 the amount of shipping employed was
337,328 tons, of which alone 293,703 were English. In 1702, the end of
William's reign, the number of English mercantile vessels was about
3,281, employing 27,196 seamen. The royal navy, at the end of William's
reign, amounted to about 159,000 tons, employing some 50,000 sailors,
so that the seamen of England must have amounted at that period to
nearly 80,000.
Public-domain text, read in full here on John Shaqi.
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