Measures to alter this disgraceful state of things were repeatedly introduced, but as steadily rejected. The collection of tithes seemed to occupy the chief attention of the Established clergy of Ireland, even where they rendered no spiritual services, and eventually led to a state of irritation and of dire conflict between the Protestant incumbent and the Catholic population which did not cease till after the death of George III. The clergyman called in the soldiery to assist him in the forcible levying of tithes, and the bloodshed and frightful plunder of the poor huts of the Irish in this _bellum ecclesiasticum_ became the scandal of all Christendom ere it was ended by the Act of a later reign, which transferred the collection of tithes to the landlord in the shape of rent. In literature, and the amount of genius in every branch of it, as well as in mechanical skill, few ages ever transcended that of George III. Though he and his Ministers did their best to repress liberty, they could not restrain the liberty of the mind, and it burst forth on all sides with almost unexampled power. In fact, throughout Europe, during this period, a great revolution in taste took place. The old French influence and French models, which had prevailed in most countries since the days of Louis XIV., were now abandoned, and there was a return to nature and originality. "The Reliques of Ancient English Poetry," collected by Percy, the Bishop of Dromore, and the publication of the old Scottish ballads by Walter Scott, snapped the spell which had bound the intellect since the days of Pope, and opened the sealed eyes of wondering scholars; and they saw, as it were, "a new heaven and a new earth" before them. They once more felt the fresh breath of the air and ocean, smelt the rich odour of the heath and the forest, and the oracles of the heart were reopened, as they listened again to the whispers of the eternal winds. Once more, as of old to prophets and prophetic kings, there was "a sound of going in the tops of the trees." In Great Britain, Scott, Wordsworth, Coleridge, Southey, Byron, Shelley--in Germany, Goethe, Schiller, Wieland, Richter--in Scandinavia, Tegner, Oehlenschläger, Stagnelius--with a world of lesser lights around them, stood in the glowing beams of a new morning, casting around them the wondrous wealth of a poetry as fresh as it was overflowing. As in poetry, so in prose invention. The novel and romance came forth in totally new forms, and with a life and scope such as they had never yet attained. From Fielding and Sterne to Godwin and Scott, the list of great writers in this department shed a new glory on the English name. In works of all other kinds the same renewal of mind was conspicuous; history took a prominent place, and science entered on new fields.