Castes and Tribes of Southern India. Vol. 2 of 7Thurston, Edgar
History
Castes and Tribes of Southern India. Vol. 2 of 7
Thurston, Edgar
Caste -- India, South; Ethnology -- India, South; India, South -- Social life and customs; Tribes -- India, South
Concerning the religion of the Pulayas, Mr. Anantha Krishna Iyer writes
as follows. "The Pulayas are animists, but are slowly coming on to
the higher forms of worship. Their gods are Parakutty, Karinkutty,
Chathan, and the spirits of their ancestors. Offerings to these gods
are given on Karkadaka and Makara Sankrantis, Onam, Vishu, and other
auspicious days, when one of the Pulayas present turns Velichapad
(oracle), and speaks to the assembly as if by inspiration. They are
also devout worshippers of Kali or Bhagavati, whose aid is invoked
in all times of danger and illness. They take part in the village
festivals celebrated in honour of her. Kodungallur Bhagavati is their
guardian deity. The deity is represented by an image or stone on a
raised piece of ground in the open air. Their priest is one of their
own castemen, and, at the beginning of the new year, he offers to the
goddess fowls, fruits, and toddy. The Pulayas also believe that spirits
exercise an influence over the members of their families, and therefore
regular offerings are given to them every year on Sankranti days. The
chief festivals in which the Pulayas take part are the following:--
1. Pooram Vela.--This, which may be described as the Saturnalia
of Malabar, is an important festival held at the village Bhagavati
temple. It is a festival, in which the members of all castes below
Brahmans take part. It takes place either in Kumbham (February-March),
or Meenam (March-April). The Cherumas of the northern part, as well
as the Pulayas of the southern parts of the State, attend the festival
after a sumptuous meal and toddy drinking, and join the procession. Toy
horses are made, and attached to long bamboo poles, which are carried
to the neighbourhood of the temple. As they go, they leap and dance
to the accompaniment of pipe and drum. One among them who acts as a
Velichapad (devil-dancer) goes in front of them, and, after a good deal
of dancing and loud praying in honour of the deity, they return home.
Public-domain text, read in full here on John Shaqi.
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