Castes and Tribes of Southern India. Vol. 3 of 7Thurston, Edgar
History
Castes and Tribes of Southern India. Vol. 3 of 7
Thurston, Edgar
Caste -- India, South; Ethnology -- India, South; India, South -- Social life and customs; Tribes -- India, South
The sub-divisions among the Kanikars are known as illams or families,
of which five are said to be endogamous, and five exogamous. The
former are called Machchampi or brother-in-law illams, and the latter
Annantampi or brother illams. They are named after mountains (e.g.,
Palamala, Talamala), places (e.g., Vellanat), etc. The Kanikars who
live south of the Kodayar river cannot marry those living north of it,
the river forming a marital boundary.
Among the names of Kanikars are Parapan (broad-faced), Chanthiran
(moon), Marthandan (sun), Muntan (dwarf), Kaliyan (little Kali),
Madan (a deity), Nili (blue) and Karumpi (black). The first name is
sometimes that of the settlement in which they live. For example,
the various Mullans are known as Kuzhumbi Mullan, Anaimalai Mullan,
Chembilakayam Mullan, etc.
The Kanikars live together in small communities under a Muttakani
or headman, who wields considerable influence over them, and enjoys
various perquisites. He presides over tribal council meetings, at
which all social questions are discussed and settled, and fixes the
time for clearing the jungle, sowing the seed, gathering the harvest,
worshipping the gods, etc. Fines which are inflicted are spent in
propitiating the gods.
The language of the Kanikars is a dialect of Malayalam, with a
large admixture of Tamil, which they call Malampashai or language of
the hills.
The system of inheritance among those who live in the hills is
makkathayam (from father to son). But a moiety of the personal
property goes to the nephews. With those who live in the plains, an
equal distribution of their self-acquired property is made between
the sons and nephews. If there are no sons, the nephews inherit the
property, the widow being entitled to maintenance.
Public-domain text, read in full here on John Shaqi.
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