Castes and Tribes of Southern India. Vol. 3 of 7Thurston, Edgar
History
Castes and Tribes of Southern India. Vol. 3 of 7
Thurston, Edgar
Caste -- India, South; Ethnology -- India, South; India, South -- Social life and customs; Tribes -- India, South
within or outside the house, to perform Vira-gudimokkadam, or worship
of heroes in their temple. At the spot selected a pandal has been
erected, and beneath it three or five bricks, representing the heroes
(viralu), are set up. The bricks are smeared with turmeric paste,
and painted with red dots. In front of the bricks an equal number of
pots are placed, and they are worshipped by breaking a cocoanut, and
burning camphor and incense. The bridegroom then prostrates himself
before the bricks, and, taking up a sword, cuts some lime fruits,
and touches the pots three times. In former days, a goat or sheep
was sacrificed. The hero worship, as performed by the Goda section,
differs from the above rite as practiced by the Gampa section. Instead
of erecting a pandal, the Godas go to a pipal (Ficus religiosa) tree,
near which one or more daggers are placed. A yellow cotton thread is
wound three or five times round the tree, which is worshipped. As a
substitute for animal sacrifice, lime fruits are cut. The hero worship
concluded, the wrist-threads of cotton and wool (kankanam) are tied
on the bride and bridegroom, who is taken to the temple after he has
bathed and dressed himself in new clothes. On his return to the booth,
the purohit lights the sacred fire, and the contracting couple sit
side by side on a plank. They then stand, with a screen spread between
them, and the bridegroom, with his right big toe on that of the bride,
ties the bottu round her neck. They then go three times round the dais,
with the ends of their cloths knotted together. The bottu of the Gampas
is a concave disc of gold, that of the Godas a larger flat disc. On
the following day, the usual nagavali, or sacrifice to the Devas is
offered, and a nagavali bottu (small gold disc) tied. All the relations
make presents to the bridal pair, who indulge in a mock representation
of domestic life. On the third day, pongal (rice) is offered to the
pots, and the wrist-threads are removed. Like the Palli bridegroom,
the Kamma bridegroom performs a mimic ploughing ceremony, but at the
house instead of at a tank (pond). He goes to a basket filled with
earth, carrying the iron bar of a ploughshare, an ox-goad, and rope,
accompanied by the bride carrying in her lap seeds or seedlings. While
he pretends to be ploughing, his sister stops him, and will not let him
continue till he has promised to give his first-born daughter to her
son in marriage. The marriage pots are presented to the sisters of the
bridegroom. During the marriage celebration, meat must not be cooked.
Public-domain text, read in full here on John Shaqi.
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