Castes and Tribes of Southern India. Vol. 5 of 7Thurston, Edgar
History
Castes and Tribes of Southern India. Vol. 5 of 7
Thurston, Edgar
Caste -- India, South; Ethnology -- India, South; India, South -- Social life and customs; Tribes -- India, South
both before and after bathing, who throws on them paddy and rice,
and sprinkles the holy mixture. The Elayad or family purohit then
performs another punnayaham or purification, and on the sixteenth day
he takes the place of the priest. On the evening of the fifteenth day,
and the morning of the sixteenth day, the purohits and villagers are
sumptuously feasted, and presents of cloths and money are made to the
Elayads. In the Chittur taluk, the Tamil Brahman sometimes performs
priestly functions in place of the Elayad. Diksha is performed for
forty-one days, or for a whole year, for the benefit of the departed
soul. This last ceremony is invariably performed on the death of the
mother, maternal uncle, and elder brother."
In connection with the habitations of the Nayars, Mr. Fawcett writes
as follows. "A house may face east or west, never north or south;
as a rule, it faces the east. Every garden is enclosed by a bank,
a hedge, or a fencing of some kind, and entrance is to be made at one
point only, the east, where there is a gate-house, or, in the case of
the poorest houses, a small portico or open doorway roofed over. One
never walks straight through this; there is always a kind of stile to
surmount. It is the same everywhere in Malabar, and not only amongst
the Nayars. The following is a plan of a nalapura or four-sided house,
which may be taken as representative of the houses of the rich:--
Numbers 6 and 7 are rooms, which are generally used for storing
grain. At A is a staircase leading to the room of the upper storey
occupied by the female members of the family. At B is another
staircase leading to the rooms of the upper storey occupied by the
male members. There is no connection between the portions allotted to
the men and women. No. 8 is for the family gods. The Karanavans and
old women of the family are perpetuated in images of gold or silver,
or, more commonly, brass. Poor people, who cannot afford to have these
images made, substitute a stone. Offerings are made to these images,
or to the stones at every full moon. The throat of a fowl will be cut
outside, and the bird is then taken inside and offered. The entrance
is at C.
Public-domain text, read in full here on John Shaqi.
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