Castes and Tribes of Southern India. Vol. 6 of 7Thurston, Edgar
History
Castes and Tribes of Southern India. Vol. 6 of 7
Thurston, Edgar
Caste -- India, South; Ethnology -- India, South; India, South -- Social life and customs; Tribes -- India, South
A widow does not wear the tali, which is removed at a gathering of
relatives some days after her husband's death. "The removal of the
tali of a widow," Mr. Francis writes, [59] "is effected in a curious
manner. On the sixteenth day after the husband's death, another woman
stands behind the widow, who stoops forward, and unties the tali
in such a way that it falls into a vessel of milk placed to receive
it. Adoption ceremonies are also odd. The adoptee's feet are washed
in turmeric water by the adopter, who then drinks a little of the
liquid. Adoption is accordingly known as manjanir kudikkiradu, or the
drinking of turmeric water, and the adopted son as the manjanir pillai,
or turmeric water boy." Paraiya women do not wear any distinctive
dress when they are widows, and do not shave their heads. But they
cease to paint the vermilion mark (kunkumam) on their foreheads,
which married women who are living with their husbands always wear,
except at times when they are considered ceremonially unclean. The
widow of a Paraiyan, if not too old to bear children, generally lives
with another man as his wife. Sometimes she is ceremonially married
to him, and then wears the tali. A widow practically chooses her own
second husband, and is not restricted to any particular relative,
such as her husband's elder or younger brother. The practice of the
Levirate, by which the younger brother takes the widow of the elder,
is non-existent as a custom among Paraiyas, though instances of such
unions may be found. Indeed the popular opinion of the Tamil caste
credits the Paraiyan with little regard for any of the restrictions
of consanguinity, either prohibitive or permissive. "The palmyra palm
has no shadow: the Paraiyan has no regard for seemliness" is a common
Tamil proverb.
Public-domain text, read in full here on John Shaqi.
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