Castes and Tribes of Southern India. Vol. 7 of 7Thurston, Edgar
General
Castes and Tribes of Southern India. Vol. 7 of 7
Thurston, Edgar
Caste -- India, South; Ethnology -- India, South; India, South -- Social life and customs; Tribes -- India, South
Married women have the hair-knot on the left side of the head,
like Nayar ladies. They cover the breast with a folded cloth, and
never wear a bodice or other innovations in the matter of dress. The
marriage ornament is called matra, and is in the shape of a maddalam
or drum. Other neck ornaments are called entram and kuzhal. The todu,
or ornament of Nayar women, is worn in the ear-lobes. Women mark
their foreheads, like Nambutiri ladies, with sandal paste.
The Variyars, Pushpakans, and Pisharatis, are said to constitute
the three original garland-making castes of Malabar, appointed by
Parasurama. At the present day, in all the important temples, except
in South Travancore, where Kurukkals perform that function, garlands
can only be prepared by one of these castes. The technical occupation
of a Variyar in a temple is called kazhakam, which is probably derived
from the Dravidian root kazhaku, to cleanse. Kazhakam is of two kinds,
viz., malakkazhakam or garland-making service, and talikkazhakam
or sweeping service, of which the former is more dignified than the
latter. Under the generic term kazhakar are included making flower
garlands for the temple, preparing materials for the offering of food,
sweeping the beli offering, carrying lights and holding umbrellas when
the god is carried in procession, having the custody of the temple
jewels, etc. The Variyar is at the beck and call of the temple priest,
and has to do sundry little services from morning till evening. He is
remunerated with some of the cooked food, after it has been offered to
the deity. The Variyars are to Saivite temples what the Pisharatis are
to Vaishnavite temples. Their prayers are prominently addressed only
to Siva, but they also worship Vishnu, Subramanya, Sasta, Ganesa, and
Bhadrakali. Their chief amusement is the farce called Kuttappathakam,
the hero of which is one Vankala Nikkan, and the heroine Naityar. An
Ilayatu is the stage-manager, and a Pisharati the actor. Parangotan
is the buffoon, and Mappa his wife. In the eighteenth century, a
grand festival lasting over twenty-eight days, called mamangam, was
celebrated in British Malabar. The above characters are represented
as proceeding to this festival, which came off once in twelve years
on the Magha asterism in the month of Magha, and is hence popularly
called Mahamagha.
The Variyar caste is governed in all matters by the Nambutiri Brahmans,
but they have their own priests. The Ilayatus believe that they were
the preceptors of all the Ambalavasi castes in former times, but
were dislodged from that position owing to most of them employing
priests from among their own caste men. Even at the present day,
Ilayatus are known to express their displeasure when they are asked
to drink water from a Variyar's well. As, however, consecrated water
from the Nambutiris is taken to a Variyar for its purification, they
entertain no scruples about cooking their food there, provided they
carry with them the aupasana fire.
Public-domain text, read in full here on John Shaqi.
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