After the angry dispute with his brother, Arno walked out into the
garden, and, feeling the need of quiet to collect himself, took his
seat upon a rustic bench nearly hidden in a clump of shrubbery. It was
a favourite retreat of his, and from its seclusion he could overlook
almost the entire garden. Here, then, he sat down, and resigned himself
to thought. So buried was he in reflection that, although he was aware
that Fraeulein Mueller and Celia came from the castle to take their
morning walk, and passed quite near him, he did not heed them: his mind
was filled with Werner's dark schemes.
Thus he remained for he could not tell how long, when he was suddenly
roused from his reverie by the sound of the voice that never reached
his ear without thrilling him to the heart. He looked up. Walking along
a leafy side-path came Werner and Fraeulein Mueller; she was speaking,
and looking, not at Werner, but upon the ground. Arno thought he
perceived that her voice trembled, although he could not distinguish
what she was saying.
Werner's reply was made in so low a tone that not a sound reached
Arno's ear; he could only perceive its effect upon Fraeulein Mueller, and
it aroused within him a feeling of indignation. There was pain that was
almost agony expressed in Anna's face as she listened eagerly to her
companion's whispered words. Werner spoke long and persistently,
bending above Fraeulein Mueller the while, and devouring with passionate
admiration the lovely downcast face. As the pair passed his retreat
Arno caught two words from his brother's lips, "Count Repuin," and
marked how colourless was Anna's cheek, down which a tear was trickling
from beneath the drooping eyelid.
They passed, and at the end of the woodland path turned into a walk
leading to the castle. Celia here joined them. Near the castle gate
they paused. Fraeulein Mueller, with a slight inclination to Werner, left
him and entered the castle with Celia. The Finanzrath turned into a
side-path leading to the forest and disappeared from Arno's sight.
Public-domain text, read in full here on John Shaqi.
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