Castles and Chateaux of Old Navarre and the Basque ProvincesMansfield, M. F. (Milburg Francisco)
History
Castles and Chateaux of Old Navarre and the Basque Provinces
Mansfield, M. F. (Milburg Francisco)
Castles -- France; Pyrenees -- Description and travel
Never was there an architectural glory like that of Carcassonne. Most
mediæval fortified bourgs have been transformed out of all semblance to
their former selves, but not so Carcassonne. It lives to-day as in the
past, transformed or restored to be sure, but still the very ideal of a
walled city of the Middle Ages.
The stress and cares of commerce and the super-civilization of these
latter days have built up a new and ugly commercial city beyond the
walls, leaving _La Cité_ a lonely dull place where the very spirit of
mediævalism stalks the streets and passages, and the ghosts of a past
time people the château, the donjon, and the surrounding buildings which
once sheltered counts and prelates and chevaliers and courtly ladies.
The old cathedral, too, dedicated to St. Nazaire, as pure a Gothic gem
as may be found outside Sainte Chapelle in Paris, is as much of the past
as if it existed only in memory, for services are now carried on in a
great, gaunt church in the lower town, leaving this magnificent
structure unpeopled and alone.
Carcassonne, as seen from the low-lying plain of the valley of the Aude,
makes a most charming _motif_ for a picture. In the purple background
are the Pyrenees, setting off the crenelated battlements of walls,
towers and donjon in genuine fairy-land fashion. It is almost too
ethereal to be true, as seen through the dim mist of an early May
morning. "A wonderful diadem of chiselled stone set in the forehead of
the Pyrenees," an imaginative Frenchman called it. It would not be wise
to attempt to improve on this metaphor.
This world's wonder--for it is a world's wonder, though not usually
included in the magic seven--has enchanted author, poet, painter,
historian and architect. Who indeed could help giving it the homage due,
once having read Viollet-le-Duc's description in his "Dictionnaire
Raisonée d'Architecture," or Nadaud's lines beginning:--
"Je n'ai jamais vu Carcassonne."
Five thousand people from all over the world pass its barbican in a
year, and yet how few one recalls among his acquaintances who have ever
been there.
It began to dawn upon the French away back in 1835, at the instigation
of Prosper Merimée, that they had within their frontiers the most
wonderfully impressive walled city still above ground. It was the work
of fifty years to clear its streets and ramparts of a conglomerate mass
of parasite structures which had been built into the old fabric, and to
reconstruct the roofings and copings of walls and houses to an
approximation of what they must once have been.
Public-domain text, read in full here on John Shaqi.
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