Cathedrals -- England; England -- Description and travel
On the advancement of Wren to be principal architect, he was not only
commissioned to erect the Cathedral, but was to rebuild the city. His
scheme was very thorough. It comprised the widening of the streets; the
complete insulation of all important churches; the public buildings were
to have good frontages; and the halls of the City Guilds were to form a
quadrangle around the Guildhall. To carry these improvements into
effect, Government issued orders that none except Wren's rebuilding
would be recognised. Unfortunately much valuable time was wasted in an
attempt at the restoration of the old cathedral, insisted upon by the
committee, against Wren's wishes, and it was only when a portion of the
nave fell down that Dean Sancroft was able to obtain the consent of the
committee to raze the old walls to the ground and to allow Wren to build
from the very foundations. The delay of this decision had in the
meanwhile given opportunity to individuals to erect buildings much as
they pleased upon their own properties in spite of Government
prohibition, with the result that to a great extent streets and
boundaries, which existed before the Great Fire, were reproduced. It
also caused the loss of a far more spacious frontage than now exists,
which we may be sure formed an important item in Wren's design for the
Cathedral. The architect, however, by receding the west front from the
old site now occupied by the statue of Queen Ann, has cleverly spaced
out a noble frontage. Another consideration that determined Wren to
alter the axis of the Cathedral was his great aversion to utilising the
old foundations. His great ambition was to strike out for himself and to
be dependent on no one else's work. In order to realise this he laid the
axis of the new work to a point farther north of that of the old
cathedral, and the plan by this projection has in a marvellous way
covered practically the same ground, whilst at the same time Wren
managed to secure fresh ground for his foundations almost throughout the
whole church. The plan of St. Paul's is a Latin cross, and is based upon
classical lines. The principal front, the west, is composed of a double
portico of Corinthian fluted pillars, with two flights of steps leading
down to the road-level. In fact the entire body of the ground floor is
above the elevation of the street. Overhead is a large pediment, with
its panel sculptured in high relief. On either side the west front is
flanked by a campanile tower, composed at the summit of grouped circular
pillars. Just inside, on the left, is the Morning Chapel, whilst
straight on the opposite side lies the Chapel of the Order of St.
Michael and St. George. Proceeding eastwards, the nave is flanked by
three massive and imposing arches. Then comes the dome or cupola, rising
to a height of 365 feet, or 404 feet to the top of the cross. Viewed
from the interior the inner dome is 225 feet, and rests at the
intersection of the cross. The transepts are carried one arch to the
Public-domain text, read in full here on John Shaqi.
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