This city of Bath, like all other cities of that time, came under the Norman Survey, and was entered in Doomsday Book as Baden-ceaster. William Rufus had scarce been crowned king when Bath was seized and burnt, the most part by Geoffry, Bishop of Coutances, and Robert de Mowbray. They had jointly risen in support of the claim laid to the throne of England by Robert Duke of Normandy. But under the abbacy of John de Villula it soon recovered prosperity. This abbot, on promotion to the See of Wells, about 1090, purchased the city from Henry I. He built a new church, and removed the See from Wells to this place. Here it remained till 1193, when Bishop Savaricus handed it over to Richard I., in exchange for Glastonbury Abbey. [Illustration: BATH PULTENEY BRIDGE] About this time Bath received its first charter as a free borough from this monarch, and was represented in Parliament in 1297. In 1330 the manufacture of woollen cloth was established by the monks. By reason of this the shuttle was incorporated in the arms of the monastery. In 1447, and in 1590, Henry VI. and Elizabeth respectively granted charters, which materially increased the prospects of the city. This present cruciform Abbey Church dates from 1499. It is dedicated to St. Peter and St. Paul, and forms one of the best specimens of the later style of English architecture. It rests upon the site of the conventual church of the monastery founded by Osric. After a course of eight hundred years it became dilapidated, and was rebuilt from the old materials in 1495, by Bishop Oliver King. He is said to have been admonished in a dream. He did not live to see the completion of the building. As the citizens refused to purchase it from the Commissioners of Henry VIII., the walls were left roofless till Dr. James Montague, Bishop of the Diocese, with the aid of the local nobility and gentry, procured the necessary funds, and finished it in 1606. On the west front is sculptured the founder's dream of angels ascending and descending on Jacob's ladder. The church is crowned with a quadrangular tower of 162 feet in height from the point of intersection. Though the medicinal properties of the springs of Bath attracted from the earliest times the continuous attention of invalids, it was only under the guidance of Beau Nash, the gamester, and the enterprise of John Wood, the architect, that it reached to the highest pinnacle of fame as a place of fashionable resort in the eighteenth century. The works of Fielding, Smollett, Jane Austen, Dickens, Thackeray, and others, give us a clear insight into the meteor-like prosperity of the city, for, after the death of Nash, it gradually relapsed to its normal state, and, in fact, according to statistics, the number of inhabitants has decreased even within the last few years.