It would be quite out of our province to follow out Mr. Spiers’ arguments in support of this theory, as it would lead us into the entangled byways of a discourse on methods of “bedding” and centring arches and pendentives. Suffice it to say that he clearly points out the difference which exists between French and Byzantine domes, capitals and voussoirs and the prevalence of the Aquitaine style, and on this evidence maintains that French, and not Greek or Venetian architects, built the abbey church of Saint Front. This conclusion is also supported by Viollet-le-Duc, who expresses his opinion that Saint Front was undoubtedly built by a Frenchman who had studied either the actual Church of Saint Mark at Venice or who had had opportunities of seeing the design of the Venetian architects. Its general conception, it is true, was Venetian and quasi-Oriental, but its construction and details do not recall in any way the decorative sculpture or method of building which obtained at St. Mark’s at Venice. As to the ornament, it belongs to the late Romanesque style. Saint Front must indeed have appeared a strange erection and unique in conception amongst its sister churches, and no doubt exercised a great influence over the builders of churches north of the Garonne in the eleventh and twelfth centuries. The infusion of Oriental art into this part of the country is explained by the distinguished French archæologist, M. Félix de Verheilh, as partly due to the presence of Venetian colonies established at Limoges. He says that the commerce of the Levant was carried into France and into England along trade routes existing between Marseilles or Narbonne and La Rochelle or Mantes. The landing of Eastern produce at these ports on the Mediterranean and its carriage overland to the north-western seaboard of France was rendered necessary to protect it from the Spanish and Arab pirates who infested the coasts of Spain and Africa, and also to avoid the risk of storms and heavy seas of the Straits of Gibraltar. Chapter Fourteen ANGOULÊME AND POITIERS Angoulême has at a distance more the appearance of an Italian than of a French town. The heavy red pantiles, the campanile and dome of the Cathedral, the little terraces sloping up the hill, all recall the southern towns; but the river with its fringing poplars finally proclaims the city’s nationality. There is nothing of especial interest to be seen in the town itself. Angoulême--Ecolisma of the Gauls--has of course had its history; it suffered pillage by Visigoth and Norman, was annexed by England, re-taken by France, occupied again by the English, and finally made over to its rightful sovereign in 1369.