Cathedral Cities of SpainCollins, W. W. (William Wiehe)
History
Cathedral Cities of Spain
Collins, W. W. (William Wiehe)
Cathedrals -- Spain; Spain -- Description and travel
The church is Romanesque and dark with a lofty clerestory but no
triforium. The High Altar shares with that at Lugo in Galicia the
privilege of having the host always _manifestado_.
[Illustration: LEON. SAN MARCOS]
In the Panteon, a small low chapel at the west end, lie buried the Kings
and Queens and other royalties of Leon. The columns are very massive
with heavy capitals; the ceiling is adorned with early frescoes which
happily escaped the depredations of the French, they are crude, but the
colour adds to the impressiveness of this gloomy abode of the Dead.
Representing scenes from the Lives of our Lord and His Apostles, with
signs of the Zodiac and months of the year, they date from 1180. The
whole convent is replete with mural paintings, and before Soult sacked
it contained many extremely interesting and rare missals of the seventh
and eighth centuries.
Unique is another convent, that of San Marcos, which stands on the river
bank outside the city on the road to Astorga. Founded as a chapel in
1168 for the knights of Santiago, it was rebuilt in 1514-49 by Juan de
Badajos, and is certainly his masterpiece. It would be difficult to find
a façade of greater beauty than this marvel of plateresque work. The
remarkable pink and golden colour of the stone, intensified against the
background of a deep blue sky, the delicacy of the carving in which
angels and cherubs, griffons and monsters intermingle with floral
wreaths and branches of fruit in orderly confusion, the elegant pillars
and pilasters, all so truly Spanish under the blazing sun, fascinated
me immensely as time after time I returned to wonder and admire.
Here again I could conjure up the past, the romance of Spain's greatest
Order; well housed were those knights of old in their glorious Hospice,
and now--the river still runs under the walls of what afterwards became
a convent, its banks are lined with tall poplars, far away rise the
mountains of the north in rugged outline just as they did of yore--and
San Marcos? Alas! half is a museum and the rest a barrack. A forlorn air
pervades the place, the old garden wants tending, and despite the life
of the military, I could not help sighing once again, as I have so often
sighed in Spain--"How are the mighty fallen!"
OVIEDO
Public-domain text, read in full here on John Shaqi.
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