Cathedral Cities of SpainCollins, W. W. (William Wiehe)
History
Cathedral Cities of Spain
Collins, W. W. (William Wiehe)
Cathedrals -- Spain; Spain -- Description and travel
Hard by, up the street pictured in my sketch, stands the Colegiata de
San Gregorio, with an equally fine façade, though being an earlier
Gothic it is more severe in type. The doorway of this is surmounted by a
genealogical tree and the arms of Ferdinand and Isabella. Some of the
figures of rough hairy men with cudgels are very primitive. San Gregorio
was a foundation of Cardinal Ximenes, it is now used as municipal
offices. Passing through the doorway I entered a beautiful little court,
rather dark, but with sufficient light to enable me to appreciate the
good artesonade ceiling of its cloisters. The second court is a blaze of
light. Spiral fluted columns form the cloister, the ceiling of which is
picked out in a cerulean blue and white; they support a recently
restored gallery, a mixture of Moorish, Romanesque and plateresque work,
into which the sheaves and yoke of the Catholic Kings is introduced as
at Granada and Santiago, making a very effective whole. A fine old stone
stairway leads from this court up to what in the old collegiate days was
a library.
Of the Cathedral I fear I can write but little. It is a huge gloomy
edifice without a single redeeming feature, and of all those I saw the
most incomplete and disappointing. The exterior north and south walls
are still unfinished, the stone work is not even faced! The east are
built of brick, and the west façade, altered by Chirriguera himself from
the original plan of Herrara, is extremely bald and ugly.
This enormous building is four hundred feet in length and over two
hundred wide, yet these proportions give it no grandeur. The interior is
absolutely devoid of ornament, and if it were not for the _silleria_ in
the _coro_, which were originally intended for San Pablo and are good,
there would be nothing to warrant a visit to this cold and depressing
church. By the way, the sacristy contains a silver _custodia_ in the
shape of an open temple, a good example of the work of Juan de Arfe.
There is a third-rate French air about Valladolid, at least so it struck
me, and it was only after a visit to the old Colegio de Santa Cruz,
wherein is the museum, that my first disappointment wore off and I felt
that I was still in Spain.
[Illustration: VALLADOLID. SAN PABLO]
Public-domain text, read in full here on John Shaqi.
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