Cathedral Cities of SpainCollins, W. W. (William Wiehe)
History
Cathedral Cities of Spain
Collins, W. W. (William Wiehe)
Cathedrals -- Spain; Spain -- Description and travel
The climate is comparatively moist, ferns of all sorts grow in the shade
of garden walls, and bracken is thick in the oak woods. The Galician is
well favoured by Nature, and being a patient, hard-working man of not
much mental capacity, very pious and an ardent advocate of small
holdings, gets through life with a contented spirit. He is very close
and knows the value of a peseta. Unfortunately he is looked down upon by
the Castilian, and the term "Gallego" is rather one of abuse than
respect. Driven to emigration by the subdivision of land which cannot
support more than those who own and work it now, he goes south in great
numbers and is the trusted _concierge_ in many a large house and hotel
in Madrid and elsewhere. The Panama Canal too attracts him from his
native hills, in fact the Gallego is to be met with wherever Spanish is
the spoken language.
TUY
The train deposited me one morning at this little frontier town. It was
very hot, and it was Sunday. The only porter in the station volunteered
to carry my bag to the Fonda, so we joined a long file of peasants and
tramped up the dusty road to the old Gothic capital which stands
splendidly situated above the river Minho.
From a distance the Cathedral rises like a fort, capping the white
houses and brown roofs which are terraced below. At one time in the far
away past Tuy was a town of great importance. Greek remains have been
dug up here, but history does not go further back than Ætolian Diomede,
the son of Tydeus, who founded what became under King Witiza the Gothic
capital. This was in the year 700. Ordoño I. rebuilt it two hundred
years later, and I did not find it difficult to trace the massive
granite walls which sheltered the inhabitants, and preserved it as the
most important city of these parts.
Truly a crown to the fortress, the castellated walls of the Cathedral
give it a martial air. The nave of five bays is early pointed, with a
blind triforium and blocked up clerestory. So narrow and dark are the
aisles and so massive the columns which support the fine vaulting of the
roof, that I could never get rid of the feeling that I was in some great
hall of an ancient castle. It only wanted a few halberdiers or
men-at-arms, instead of the black-garbed peasant women kneeling at the
different altars, to make the illusion perfect.
The transepts, which have aisles, are Romanesque with an early pointed
triforium. After the great earthquake at Lisbon many strengthening
additions were made to the interior, blocking out most of the light. In
the case of the aisles arches were run up at different intervals with no
sense of proportion, quite hap-hazard, and creating a very much askew
appearance in this part of the building. Transoms were built across the
nave to add to the disfigurement of one of the most perfect little
Cathedrals in Spain.
Public-domain text, read in full here on John Shaqi.
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