Cathedrals and Cloisters of the South of France, Volume 1Rose, Elise Whitlock
Religion
Cathedrals and Cloisters of the South of France, Volume 1
Rose, Elise Whitlock
Cathedrals -- France; France -- Description and travel
peered into the dark streets, many a head was judiciously hidden behind
bowed shutters, to see who went toward the Convent; till by wit and
scheming and after some months of most surprising incident, Louise
carried her point, left the good Ursulines to a well-merited repose,
and returned to the Castle of Mirabeau,--to laugh at the townsfolk of
Sisteron.
[Illustration: "THE CATHEDRAL IS NEAR THE HEAVY, ROUND TOWERS OF THE
OUTER RAMPARTS."--SISTERON.]
[Illustration: "THE BRIDGE ACROSS THE DURANCE."--SISTERON.]
When in the city, the prelates occupied their Castle of the Citadel with
the high lookouts and defences, far from their Cathedral, which is in
the lower town near the heavy, round towers of the ramparts. This
church, which has been very slightly and very judiciously restored, is
of unknown date, probably of the XII century, it is faithful to the
native architectural tradition, and in some details more interesting
than many of the Provencal Cathedrals. Its exterior is small and low.
There are the familiar, friendly little apses of the Romanesque; near
them, above the east end of the north aisle, the squat tower with a
modest, modern spire; and at its side, above the roof-line, is the
octagon that stands over the dome. All this structure is unaffectedly
simple. The walls and buttresses which enclose the aisles are plain, and
it is only by comparison with this architectural Puritanism that the
facade may be considered ornate. Near the top of its wall, which is
supported by sturdy piers, are three round windows, with deep, splayed
frames. The largest of them is directly above the high, slender portal
that is somewhat reminiscent of the Italian influence, so elaborately
marked further up the valley, at Embrun. The rounded arch of the
door-way and its pointed gable are repeated, on either side, in a
half-arch and half-gable. An allegorical animal, in relief, stands above
the central arch, and a few columns with delicate capitals complete the
adornment of the entrance-way, which, in spite of being the most
decorative part of the church, is most discreet.
Public-domain text, read in full here on John Shaqi.
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