Cathedrals and Cloisters of the South of France, Volume 1Rose, Elise Whitlock
Religion
Cathedrals and Cloisters of the South of France, Volume 1
Rose, Elise Whitlock
Cathedrals -- France; France -- Description and travel
The old city itself shows scarcely a trace of the many historic dramas
of which it has been the scene,--the lowering tragedy of the Vaudois
time,--the bright, gay comedy of good king Rene's Court,--the shorter
scenes of Charles V's occupation,--the Parliament's struggle with
Richelieu and Mazarin,--the day of the fiery Mirabeau,--the grim
melodrama of the Revolution,--all have passed, and time has destroyed
their monuments almost as completely as the Saracens destroyed those of
the earlier Roman days. Only a few, unformed fragments of the great
Temple of Apollo remain in the walls of Saint-Sauveur. The earliest
Cathedral, Sainte-Marie-de-la-Seds, has entirely disappeared, the old
thermal springs are enclosed by modern buildings, and only the statue of
"the good King Rene" and the Church of the Knights of Malta give to Aix
a faint atmosphere of its past distinction. Who would dream that here
were the homes of the elegant and lettered courtiers of King Rene's
brilliant capital, who would think that this town was the earliest Roman
settlement in Gaul, the Aquae Sextiae of Baths, Temples, Theatres, and
great wealth? Aix is a stately town, a provincial capital which Balzac
might well have described--with old, quiet streets that are a little
dreary, with a fine avenue shaded by great trees in whose shadows a few
fountains trickle, with lines of little stages that come each day from
the country,--a city whose life is as far in spirit from the near-by
modernity of Marseilles as it is from that of Paris, as quaintly and
delightfully provincial as that other little Provencal city, the
Tarascon of King Rene and of Tartarin.
Languedoc.
I.
CATHEDRALS OF THE CITIES.
[Sidenote: Nimes.]
Entering Languedoc from the valley of the Rhone, the Cathedral-lover is
doomed to disappointment in the city of Nimes. All that intense,
intra-mural life of the Middle Ages seems to have passed this city by,
and its traces, which he is so eager to find, prove to be neither
notable nor beautiful.
[Illustration: "AN AMPHITHEATRE WHICH RIVALS THE ART OF THE
COLISEUM."--NIMES.]
Public-domain text, read in full here on John Shaqi.
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