Seville from their buildings in Toledo, Jaen, Vittoria, and other places. Casanova is the last of her many architects. Correctly speaking, there is no façade. The Cathedral runs from west to east, the western or main entrance portal being pierced by three ogival doorways, the Puerta Mayor with a modern relief of the Assumption, the Puerta del Nacimento or de San Miguel to the south, and the Puerta del Bautizo or de San Juan to the north. Saint Miguel has a relief of the Nativity of Christ, Saint Juan, one representing Saint John baptizing. In the moldings surrounding these, are very exquisite little figures of early sixteenth-century work executed in terra-cotta. They are full of the best Gothic feeling, splendidly fitted to their spaces, alive with the expression of the imaginative period of their sculptor, Pedro Millan. Above and around the door of San Juan is a Gothic tracery of the most elaborate character. One cannot refrain from comparing the sculptural work of these three doorways. Riccardo Bellver's modern Assumption over the central doorway is as congealed as the terra-cotta sculptures above and around the side portals are admirable. They are unquestionably among the most interesting bits of relief as well as figure sculpture of their kind produced in Spain during the fifteenth century. Pedro Millan stands out as a great mediæval master, not only from the consummate skill with which the drapery is treated but from the living, breathing personality and attitudes of the men and women around him, which we still gaze at in the truth of their curious, naïve, fifteenth-century light. As the whole western façade was not completed in its present form until 1827, much of its work is as poor as it is modern. There are two entrances to the eastern end, richly decorated with fine terra-cotta statues and reliefs of angels, patriarchs, and Biblical figures, attributed to Lope Marin. In the northern façade there are three,--one classical and of very little interest leading to the parish church; the second is the Puerto de los Naranjos. In the Puerta del Lagarto, where the Giralda abuts the Cathedral, there hangs a poor stuffed crocodile, once sent by a Sultan of Egypt in token of admiration to Saint Ferdinand. The beast, having died on his way from the Nile, could never crawl in the basins of the Alcazar gardens, but found a resting-place under the shelves of the Columbina library.