More than any other spot on earth, Granada seems haunted by memories of
bygone glory. The wide plains, now inhabited by less than seventy-five
thousand, once swarmed with over half a million souls. The artist feels
poignantly the charm of those long centuries of Arabian Days and Nights
that were forever blotted out by the zeal of the Christian sword. The
ruined temples still attest the thrift and industry, the refinement and
learning of the vanished race; the squalid poverty that has replaced it
is deaf and blind to the records of ancient grandeur, but the traveler
and the historian may still be thrilled by the struggle that destroyed
"the most voluptuous of all retirements" and feel there as nowhere else
the relentless power of the most Catholic Kings, the pathos of the Moor.
Granada is a very old city, and like Cordova and Seville, it was one of
the principal Moorish centres; in fact after their fall, the industries
and culture which had been theirs went to swell the inheritance of
Granada. Its name has always been associated with the scarlet-blossoming
tree which covers its slopes, whose fruit the Catholic sovereigns
proudly placed in the point of their shield, with stalks and leaves and
shell open-grained. During the Roman occupation, a settlement had been
made on the wooded slopes at the foot of the Sierra Nevada and called
Granatum (pomegranate). The Goths in their turn swept over the peninsula
until, in 711, they were driven out of the valley by the advancing Arab
hordes. These transformed the name given it by the Romans to Karnattah.
Seven hundred and eighty-two years passed before the Crescent set
forever on the Iberian peninsula. Dynasties had succeeded one another in
the various kingdoms formed of larger and smaller portions of southern
and central Spain, but in the north, hardy monarchs had founded more
stable thrones on the ruins of the Gothic Empire, and they were eagerly
watching the advancing decay, the domestic discord of the Mohammedan
power and grasping every opportunity for the aggrandizement of their own
states.
[Illustration: KEY OF PLAN OF GRANADA CATHEDRAL
A. Sagrario.
B. Royal Chapel.
C. Capilla Mayor.
D. Choir.
E. Door of the Perdon.
F. Door of St. Jeronimo.
G. Main Entrance.]
In the tenth century, the Moorish power was at its zenith. During the
eleventh, Granada had become strong enough to break away from the
caliphate of Cordova. There the Almorvides and Almohades dynasties had
alternated while the Nasrides ruled in the kingdom and city of Granada
until the luckless Boabdil surrendered its keys.
Public-domain text, read in full here on John Shaqi.
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