“Go instantly to the Prince de Conde, brother: ask him to give me a safe-conduct; and find me a horse,” cried the minister. “I must start at once.” “Write me a line, or he will not receive me.” “Here,” said Chaudieu, after writing a few words, “ask for a pass from the king of Navarre, for I must go to Geneva without a moment’s loss of time.” XIII. CALVIN Two hours later all was ready, and the ardent minister was on his way to Switzerland, accompanied by a nobleman in the service of the king of Navarre (of whom Chaudieu pretended to be the secretary), carrying with him despatches from the Reformers in the Dauphine. This sudden departure was chiefly in the interests of Catherine de’ Medici, who, in order to gain time to establish her power, had made a bold proposition to the Reformers which was kept a profound secret. This strange proceeding explains the understanding so suddenly apparent between herself and the leaders of the Reform. The wily woman gave, as a pledge of her good faith, an intimation of her desire to heal all differences between the two churches by calling an assembly, which should be neither a council, nor a conclave, nor a synod, but should be known by some new and distinctive name, if Calvin consented to the project. When this secret was afterwards divulged (be it remarked in passing) it led to an alliance between the Duc de Guise and the Connetable de Montmorency against Catherine and the king of Navarre,--a strange alliance! known in history as the Triumvirate, the Marechal de Saint-Andre being the third personage in the purely Catholic coalition to which this singular proposition for a “colloquy” gave rise. The secret of Catherine’s wily policy was rightly understood by the Guises; they felt certain that the queen cared nothing for this mysterious assembly, and was only temporizing with her new allies in order to secure a period of peace until the majority of Charles IX.; but none the less did they deceive the Connetable into fearing a collusion of real interests between the queen and the Bourbons,--whereas, in reality, Catherine was playing them all one against another.