Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
But in the Ridgeway all was strong light and deep shadow. The asphalt
roadway gleamed dazzlingly white under the sun, and the sidewalks,
overhung with heavy lime-trees, were avenues of green twilight. Along
them men’s sunburnt faces seemed strangely brown and handsome, and
the sweat that disfigured the noses and foreheads of girls no longer
glistened. Even a hawker bearing with an easy hand a monstrous cloud of
multicoloured balloons for sale on the High Road seemed rather to lend
a grotesque charm than a positive disfigurement. And the houses, well
set back from the road, displayed their gilded domes and sham minarets
and pseudo-Elizabethan gables with quiet, unostentatious pride.
Nicknamed “The Lovers’ Parade,” the Ridgeway was justifying the title.
But in the soft gloom there was only enchantment in the passing of
couples: their facial blemishes were toned down, their gestures took on
a strange and subtle grace, their wandering was shadowlike amongst the
shadows. Only when they stepped off the kerb into the garish sunlight
was the spell shattered, the dream brought to an awakening.
Catherine passed airily along. Just as she had not been conscious of
the brutal garishness of the High Road, so now the soft charm of the
Ridgeway did not affect her. Her heart was abundantly glad and joyous,
but her senses were quiescent. Had she been in her usual mood of lonely
introspection she would have thrilled at the beauty of all around
her--faces would have attracted and repelled her with fierce intensity,
she would have laughed at the cloud of colour towed by the balloon man,
she would have drunk in the cloying scent of geraniums like nectar. As
it was, she was vaguely but tremendously rapturous. And the rapture
came from within her, not from without.
§ 6
She found him in the garden seated in a deck-chair (adjusted to the
bottom notch) reading the _Observer_. He wore grey flannel
trousers and a sort of Donegal tweed sporting jacket. He was utterly
divorced from the prevailing atmosphere of Upton Rising in that his
attire betrayed no indication of the fact that it was Sunday. Catherine
thought: “How delightfully Bohemian!” and (an after-thought), “He
certainly hasn’t dressed up for me, anyway.”
“Hullo!” he cried, as she obtruded herself into the alcove of
shrubbery which ringed him round almost completely. And he rose (a
matter of obvious difficulty) and shook hands with her. He dropped
the _Observer_ on the lawn. Also he smiled at her: it was not a
beautiful smile, because he could not smile beautifully, but it was a
smile of welcome.
“Come along, and well find another chair,” he said. They strolled over
the lawn and towards the house.
“I’m taking a day off,” he said briskly, “and I think I deserve it. The
first day off I’ve had for months.”
“Except last Monday,” she put in.
“Why--what happened then?”
“You were at High Beech. I saw you.”
Public-domain text, read in full here on John Shaqi.
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