Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
While being frankly and (she thought) rather charmingly conceited,
she was stringently careful to avoid the taint of snobbishness. The
thought occurred to her more than once that the very insistence of
her efforts to eschew snobbishness might be even in itself a subtle
manifestation of the dreaded evil. She was urgently careful to show
Mrs. Carbass that her rise to success had made no difference at all in
her relations with her. She enjoyed emphasizing the contrast between
their two stations, and she enjoyed equally emphasizing the paradox
of her behaving as if they were on equal terms together. She was glad
for her to see her casually in expensive evening gowns, she enjoyed
the thrill of having taxis waiting for her in the street; she liked
Mrs. Carbass to bring her in a handful of letters and say: “All fer
you, miss. You gits all the letters nardays.” These things indicated
the gulf that was widening between their respective social positions.
And she also liked to clean her own boots on a Sunday morning (when
Mrs. Carbass stayed late in bed), and she enjoyed the mediocre thrills
of travelling third-class. For these things indicated the amazing
paradox that though she had achieved fame, fame had not changed her.
Whereas fame _had_ changed her: it had made her more arrogant,
more self-confident, more conceited. As she cleaned her boots on the
Sabbath she felt a delicious thrill at the thought: These fingers of
mine, so deft, so delicate, fingers in a million, are now employed in
the most ordinary, unromantic and menial of tasks. For the moment I
am no better than a maid-of-all-work. But what amazing secrets these
fingers of mine possess! And what a grand paradox it is! That these
fingers, such incomparable exponents of Chopin and Liszt and Beethoven,
should be prostituting themselves for the purpose of producing a black
gloss on a pair of shoes!
And somewhere at the back of her mind was the thought: It adds to the
extraordinariness of myself that I do these things....
§ 3
Once in company with Verreker she went to see Razounov at a flat in
Piccadilly. Razounov’s memory played him more than usually false.
Verreker sent up his card, but it was plain to any beholder that
Razounov had not the slightest recollection either of the name or, when
he saw him, of the man.
“Ah, Mister Verrekair,” he stammered vacantly, and looked at Catherine.
“And Mrs. Verrekair, eh?” he continued, leering at her babyishly.
“No,” said Catherine, and expected herself to blush, and was surprised
when she didn’t.
“Zen zhe future Mrs. Verrekair, eh?” insisted Razounov, with dreamy
cunning.
“No,” said Verreker, with what Catherine thought was unnecessary
enthusiasm. “This is my former pupil Miss Weston--I expect you have
heard of her.”
“I haf rhead of her,” corrected Razounov. “I deed not know that she
wass a pupil of yours. I am very pleased to make her acquaintenance.”
He bowed ceremoniously, quite unconscious that he had met her twice
before.
Public-domain text, read in full here on John Shaqi.
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