Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
She was ten minutes late, and was glad to think he had noticed it
and had been kept waiting. And besides that, she was amazed at his
cordiality, at the sudden phase of courtliness which prompted him to
take her arm as they strolled down the hotel lobby. She felt that her
arm touching his was trembling, and she summoned every effort, mental
and physical, to curb this manifestation of her excitement. They
entered the lounge and occupied adjacent positions on a chesterfield.
The room was comfortably full of fashionably dressed men and women.
Catherine felt that many eyes of recognition were upon her. But that
caused her no thrill of pleasurable triumph. Her mind and soul were
centred on this unique phenomenon that was unfolding itself to her
by degrees--Verreker, the curt, the abrupt, the brutally direct,
transformed into a veritable grandee of courtliness.
In the dining-hall they had a table to themselves that overlooked
the dark spaciousness of Parker’s Piece. Once again she was quaintly
fascinated by the peculiarities of his table manners. In this respect,
at any rate, he was still himself, and she marvelled at the intense
personality that crowded into every movement, however bizarre and
unconventional, of his knife and fork. Evening dress gave his weird
facial expressions a touch of sublimity. She looked round at the other
tables and compared him with men there. There was scarcely one that
was not more handsome than he, certainly none whose table manners
were not infinitely smoother and more refined. There were men whose
cheeks and chin were smooth as a shave ten minutes ago could make
them. A glance at Verreker showed that a razor had not touched him for
at least twenty-four hours. Other men had hair carefully brushed and
pomaded, artistically parted in the middle or at the side, compelled
into spray-like festoons above the ears. But Verreker’s hair was black
and thick, coarse, horsey hair, innocent of pomade and parting, hair
that he occasionally ran his fingers through without in any real sense
disturbing. Other men in the room were smiling with rows of white
symmetrical teeth, speaking in cultured university accents, gazing with
animated eyes at their fellow-diners. And yet she knew that compared
with him they were all as nothing. The whole secret of him flashed out
upon her. He was a man. His personality invaded everything he did and
everything that belonged to him: it overflowed like a bursting torrent
into his most trivial actions. With all his facial ugliness, his abrupt
manners, his disposition, which people called “difficult,” he was
the towering superior of any man she knew. And not all the oiled and
manicured youths in the world could give her what he could give. She
looked triumphantly round the room as if to say: This man here, whom
you all think is so ugly and ill-mannered, is, if only you knew it, the
personal superior of every one of you! ... She was proud to be with
Public-domain text, read in full here on John Shaqi.
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