Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
She was cruel, merciless in her hour of seeming triumph. She loved him
more passionately than ever now that he was a being dethroned from
heaven. She had thought formerly: I cannot understand him: we are on a
different plane. But now she thought: He has come down to my plane. One
thing at least I can understand: I can understand why he wanted to kiss
me. And that crude fragment of understanding was more precious to her
than all the subtleties and spiritual nuances which had made his soul a
hitherto uncharted sea.
If she could break his ideals, if she could shatter everything in
him that had nothing to do with her, she would be glad. Already,
not content with the footing she had gained on what had seemed an
unscalable cliff, she wanted to dominate the heights and destroy
everything that was independent of her. Never had the essential
selfishness of her nature so revealed itself. She grudged him every
acre of his soul that was not sown with seeds of her own planting. She
wanted him, all of him, passionately, selfishly: his soul and intellect
would be for ever beyond her, so she was jealous of their freedom. That
he should fall from the lofty heights of his idealism was epic, a thing
of high tragedy, yet thrilling with passion: that she should be the
means of it was something that convulsed her with rapture. Her passion
was terrible and destructive. She wanted it to scorch his soul until he
desired nothing save what she could give. She wanted entire possession
of him: she grudged him everything that was beyond her comprehension.
§ 10
All this was somewhat premature.
As yet he had not spoken a word save what was easily compatible with
disinterested friendship. He had treated her many times with such
curtness and incivility that it seemed absurd on the face of it to
imagine that he could love her. And yet there was in her that strange
instinct which told her that he did.
After her return from Cambridge she began to wonder when she should
see him again. Since she had left Mrs. Carbass and had taken the
cottage at High Wood, he had been a moderately frequent visitor. He
liked the situation of “Elm Cottage,” he liked to sit in a deck-chair
on the lawn and watch the sun dipping down over the roofs of Upton
Rising. The æsthetic pleasure made him talkative and companionable.
In the summer time she would open the windows and play Debussy on the
baby grand piano she had bought. She had furnished the interior in
masculine taste. There were great brown leather armchairs of the kind
common enough in clubs, and innumerable facilities for smoking (she was
not a great smoker herself), and a general atmosphere of freedom and
geniality. She had bought an expensive club-fender with leather seats
at either end and a leather rail, because she had noticed that at his
own house he liked to sit with his back to the flames. The front room
was really very comfortable and cosy, though she was lost when she sat
in either of the two great armchairs.
Public-domain text, read in full here on John Shaqi.
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