Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
The morning paper was on the breakfast tray, and she raised herself
again and glanced at the headlines. Then she turned to the inside page
where the musical criticisms and announcements, if any, were inserted.
Under the heading, “New Year’s Concert,” she read:
Miss Weston’s performance was curiously disappointing. I was confirmed
in the opinion I have held ever since I first heard Miss Weston, that
she is a skilful player of considerable talent who will, however,
never reach the front rank of her profession. Some cardinal defects in
her technique and interpretation showed themselves with disconcerting
frankness last evening. On the whole, had I not known that Miss Weston
at her best is quite skilful in her playing of Chopin and Liszt, I
should have wondered last evening what had led the organizers of the
concert to include her in a programme which included such names as
Signor----, the tenor, and Mme.----, the prima donna. She played a
Chopin polonaise as if it were a cake-walk, and her Liszt’s Sposalizio
was not even note-perfect. Perhaps Miss Weston was feeling unwell, in
which case it would be unfair to criticize her too severely, but the
truth is, in twenty years’ musical experience I have never heard such
poor playing at a concert purporting to be first-rate....
The article was signed by one of London’s chief musical critics....
Catherine dropped the newspaper on to the floor with the remainder of
the criticism unread. She did not even know if that was the worst that
was printed about her. The writer was a man for whom she had a great
respect: he had never been among the enthusiasts who prophesied for
her a world-wide reputation, yet till now his criticisms had always
been mildly encouraging, particularly when it was borne in mind that
his newspaper, a journal of independent views, permitted him to be
mercilessly sarcastic at the expense of all musical aspirants whom he
thought to be aiming too high. And now he had turned against her. It
was all the harder to bear because he had not employed sarcasm: there
was throughout his criticism a kind of sorrowful kindness, as if he
sincerely pitied her.
Public-domain text, read in full here on John Shaqi.
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