Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
Money began to be somewhat of a difficulty with her. Thinking always
that her future was rosy with prospects and that her salary would be
sure to keep constantly increasing, she had never troubled to save
much, and had, indeed, been living slightly above her income ever
since she came to “Elm Cottage.” She paid twenty-five shillings a
week rent, seven and sixpence a week to Florrie, besides a weekly
half-crown to a visiting gardener and a charwoman. She had heaps of
incidental expenses--periodic tuning of the piano--her season ticket
to town--heavy bills for music, dresses and furniture (which she
was constantly buying)--her quarterly payment to the press-cutting
agency--books, magazines, expensive laundrying, a fastidious taste
in food and restaurants, all added to make her expenditure a few
shillings--sometimes a few pounds--per month in excess of her income.
During her illness, her income had been nil and her expenses enormous.
The nurse wanted two guineas a week, Dr. McPherson’s bills were
notoriously high, and in the case of a person like Catherine he would
probably charge more than usual. Five shillings a visit was his fee,
and for a fortnight he had come twice a day, and for the last three
weeks once. The West-end masseuse was even more exorbitant: her fees
were half a guinea for each electric treatment lasting about half an
hour. Household expenses were becoming terrific. The nurse seemed to
think that Catherine was a person of infinite financial resources: she
ordered from the grocer, the butcher, the poulterer and the fruiterer
whatever she had a fancy to, in or out of season, regardless of
expense. She and Catherine took their meals together, and Catherine’s
appetite was never more than half that of the nurse. So the weeks
passed and the bills of the tradesmen went piling up and Catherine’s
cheque account at the bank came tumbling down.
Public-domain text, read in full here on John Shaqi.
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