Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
When the furniture van had arrived and a couple of men had carried the
beautiful piano into a dark cavity of straw and sackcloth, leaving
behind them in exchange a mocking little upstart in streaky imitation
fumed oak, not even the presence in her bureau drawer of sixty pounds
in notes and gold could compensate her adequately. The new piano looked
so cheap and tawdry amongst the surrounding furniture, and the space
where the old one had been was drearily vacant and ever remindful of
her loss.
The same day she wrote cheques to half a dozen tradesmen, and as she
went out to post them, put fifty pounds into her cheque account at the
bank. She felt that slowly, at any rate, she was winning in her contest
with fortune.
§ 7
Unfortunately the avalanche of bills had not yet quite spent itself,
and Madame Varegny suggested an interim payment of her account,
amounting to thirty-two treatments at half a guinea each: total sixteen
pounds sixteen.
And then one night as Catherine was lying awake in bed, the whole
fabric of the future seemed revealed to her. After all, her first steps
were inevitable: she would have to leave “Elm Cottage,” take a smaller
house or go into lodgings, and sell what furniture she had no room
for. It would be better to do that now than to wait until the expensive
upkeep of “Elm Cottage” had squandered half her assets. She was so
accustomed now to her gradual descent in the social scale that even
this prospect, daring and drastic as it was, did not perturb her much.
The next day she went round the house, noting the things that she could
not possibly take with her if she went into a smaller house or into
lodgings. Lodgings she had in mind, because her arm prevented her from
doing any but a minimum of housework, and if in lodgings she could pay
for any services she required.
She did not go to Trussall’s this time to arrange for a valuation of
what she desired to sell. For some days before she had been walking
along the High Road past Trussall’s window, and had had the experience
of seeing her own ebony-framed cheval glass occupying a position of
honour in the midst of a miscellany of bedroom bric-à-brac. On a card
hung on to the carving at the top was the inscription:
Antique model. Splendid Bargain, £19 19s. 6d.
CHAPTER XX
STILL FALLING
§ 1
Public-domain text, read in full here on John Shaqi.
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