Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
ON the afternoon of the fifteenth of April, Catherine sat with her
hat and coat as yet unremoved in the front sitting-room of No. 5,
Cubitt Lane. She had taken a drastic step, and had only just begun to
realize its full significance. Her lips, tense in a manner suggestive
of troubled perplexity, began to droop slowly into an attitude of
poignant depression. Accustomed as she was to lofty and spacious rooms,
this front sitting-room seemed ridiculously small and box-like. The
wallpaper was a heavy chocolate brown with a periodic design which from
a distance of a few feet looked like a succession of fat caterpillars.
A heavy carved overmantel over the fireplace and a sideboard with a
mirror on the opposite wall multiplied the room indefinitely into one
long vista of caterpillars. Catherine sat disconsolately at a small
wicker table by the window. The outlook was disappointing. On the
opposite side of the road, children were converging from all directions
into the entrance to the Infants’ Department of the Cubitt Lane Council
School. It was that season of the year devoted to the trundling of iron
hoops, and the concrete pavements on both sides of the road rang with
them.
Catherine had chosen No. 5, Cubitt Lane because it combined the
cheapness of some of the lower-class districts with the respectability
of a class several degrees higher than that to which it belonged.
Cubitt Lane was a very long road leading from the slums of Bockley
to the edge of the Forest, and that portion of it nearest the Forest
was in the parish of Upton Rising, and comparatively plutocratic.
Only near its junction with Duke Street and round about the Council
Schools was it anything but an eminently high-class residential
road. It was curious that, now that fame and affluence had left her,
Catherine clung to “respectability” as something that she could not
bear to part with. In the old days she had scorned it, regarded it as
fit only for dull, prosaic and middle-aged people: now she saw it as
the only social superiority she could afford. The days of her youth
and irresponsibility were gone. She was a woman--no, more than that,
she was a “lady.” And she must insist upon recognition of that quality
in her with constant reiteration. She must live in a “respectable
neighbourhood” in “respectable lodgings.” And, until such time as her
arm allowed her to regain her fame and reputation as a pianist, she
must find some kind of “respectable work.”
Public-domain text, read in full here on John Shaqi.
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