Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
Secretly she knew that some day, when the impulse seized her, she would
go to visit him at Barhanger. But with amazing credulity she told
herself: Of course I shall never go to see him. If he cares to ask me
I will come. But he must take the initiative, not I.... But she began
to picture their meeting. She began to conjure up images of Seahill
and the Essex countryside and he and she walking and talking amidst
a background of her own imagining. Just as in the old days she had
invented an “ideal” conversation to be pursued at any surprise meeting
with her father, so now she concocted a special dialogue between
herself and Verreker, which, if he should only play the part allotted
to him, would reveal her in an attractive and mysterious light. Of
course he would not do so: of that she was quite certain, yet the
manufacture of ideal rôles for him and herself gave her a good deal
of restricted pleasure. She must at this time have decided definitely
to go and see him, otherwise there could have been no inducement for
her to dream dreams. But she still told herself that she would not see
him till he had seen her.... One evening she visited the reference
department of the Bockley Carnegie library and consulted a map of
Essex. Barhanger was almost on the sea-coast; five miles from the
nearest railway station, overlooking one of the great tidal estuaries
of the Essex rivers. And Barhanger Creek reached right up to the
village of Barhanger.... She had not thought it was so near the sea.
She had pictured an inland village with a village green and thatched
cottages and perhaps a single-line railway station. Now she had to
dream her dreams over again in a different setting, and into this new
setting came the creek and the broad estuary and the shining sea, all
magnificently idealized, all transfigured by the presence of herself
and Verreker....
It was curious how the thought of him awoke in her old dreams and
aspirations. She began once more to revile her own soul for its
selfishness and avarice: she began to wish for her old pianoforte
prowess and such education as she had once managed to cram into that
head of hers. Yet against her will was all this change and flurry: she
was always protesting, I am better as I am. I want to be quiet and
respectable. I don’t want to see him or to know him, because he has
unlimited power to make me unhappy....
Her superb serenity left her. She became once more a foolish,
unreliable creature of fierce trivialities. She no longer took any
interest in the affairs of Amelia and her mother and Mr. Hobbs. She
began to think rather acutely of Helen, though. How would Helen come
into the matter? Would Helen be jealous of her interference? ... And
did he love Helen? Or was it only a marriage of convenience? All those
things she would never find out unless she visited him. Though, of
course, she would not visit him without an invitation. That was quite
decided.
Public-domain text, read in full here on John Shaqi.
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