Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
I am very sorry indeed if my invitation for Saturday offended you. I
am glad to think your reason for declining it is that you had another
engagement to fulfil. In the circumstances, is it too impertinent of
me if I invite you to spend the Bank Holiday on the Surrey Hills? I
know the district pretty well, and am sure you will enjoy the fine
scenery as well as the invigorating air. There is a motor omnibus
service as far as Reigate, and we could get from there to a number of
interesting spots. Hoping you will be able to come with me.
Believe me,
Yours sincerely,
J. A. HOBBS.
She smiled wanly upon the drearily angular handwriting. In rummaging in
her hand-bag she had come across the Rev. Elkin Broodbank’s visiting
card, left by him that morning, and she caught sight of some writing on
the back which she had previously overlooked. “I find you not in,” the
Rev. Elkin had written, in his finicky handwriting and pseudo-Carlylean
prose style, “so I leave this. Will you have tea with me on Sunday? I
have old MSS. church rubric to show you: also good booklet on Oxford
movement.--Yrs., E. B.”
Also upon this she smiled wanly....
Chelmsford....
Oh, what have I done with my life? she cried to herself in a moment
of sudden horror. What have I to show for all these years of toil and
stress? Is there anything of all that I have ever had which has lasted?
I am twenty-four years old, and my youth is over. I have had dreams,
I have had ambitions, I have had golden opportunities and been near
success. But what have I to show? Have I any hold on life which death
would not loose? Am I deep set in the heart of any friend, man or
woman, in the world? Whatever happens to me, does it matter to anyone
save myself? No, no, and therefore I am going to Barhanger. I would go
to Barhanger if it cost me pain for the rest of my life....
At the junction station midway between Chelmsford and Colchester she
got out. On the opposite platform the train for Holleshont was waiting.
Small and feeble it looked beside the great express, but there was an
air of sturdy independence about it, and especially about its single
track curving away over the hills into the dim distance. Catherine
breathed the country air with avidity: she entered a compartment and
leaned out of the window as the express rolled slowly out of the other
platform. As it vanished into the north-east the station became full
of broken silences and staccato sounds. Glorious! she murmured, as the
sun warmed her cheeks and the wind wafted to her the scent of pansies
growing on the embankment near by. And then suddenly, as if it had a
fit of divine inspiration, the train moved off....
Public-domain text, read in full here on John Shaqi.
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