Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
Horror upon horror! To think of Gifford Road, of the Victoria Theatre,
without the conviction that these were but a means to something
infinitely higher! Her ultimate triumph provided the only terms on
which life amongst these things was worth living! To think of herself
as a mere unit in the society that lived in Kitchener Road, Bockley,
in Gifford Road, Upton Rising! To deny herself the privilege of
thinking what a good joke it was that she should have been born in
Kitchener Road! To realize suddenly that it was no joke at all, but an
ordinary, not inappropriate circumstance in which she had no right to
discover any irony at all. To regard herself as she knew Mrs. Carbass
regarded her, viz. as “the little girl wot plys the pienner at the
theayter.”
That was where her ruthless self-mutilation overreached itself. She
knew she was not as Mrs. Carbass regarded her. Even if she were
ordinary, she was not as ordinary as that. With feverish joy she
clutched at this undeniable admission.... Slowly her spirits rose
out of utter dejection. Cautiously at first, then with extravagant
recklessness, she flung together the wreckage that had fallen. At
the end of five minutes a phantom thought flashed by her--a swift,
entrancing, wayward, delicious, undisciplined, seductive idea. It
was like a breath of heaven upon her darkened soul. It whispered:
“Supposing Razounov is wrong? ... After all, why the dickens should he
be right? ...”
§ 3
One effect the sudden (but only temporary) shattering of her ambitions
had upon her. It redoubled afterwards her efforts to achieve them. She
increased the number of hours devoted to practice. She even made some
attempt to get through an elementary book on harmony and counterpoint.
And strangely enough, of all the composers whose works she attempted
none nerved her to such a fever of determination as Chopin. For she had
been told she oughtn’t to play Chopin....
On the Wednesday following a card reached her, addressed to the
Victoria Theatre. It simply said:
Come at two o’clock on Saturday.
R. VERREKER.
The writing was sharply angular, rivalling the phrasing in curtness.
Nevertheless, Catherine had expected curtness. Of course she was not
going to go. She had long ago decided that. As if to symbolize her
contempt, she tore up the card and threw it into the gutter as she left
the theatre. After all, what was the use of keeping it, since she was
not going to go?
All through the remainder of the week she kept fortifying her
determination not to go. And yet dimly, in some strange intuitive
fashion, at the back of her mind she felt that it was quite possible
she _would_ go. I won’t go, she told herself one moment. Bet you
you _do_ go, after all.... She was surprised, almost fascinated
by this charming waywardness of hers. Anyway, she decided, it’s quite
a simple matter to settle: I won’t go. I wonder, she said to herself,
smiling.
Public-domain text, read in full here on John Shaqi.
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