Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
And as she passed the table in the hall he suddenly gathered up a heap
of some dozen letters, and said: “By the way, you might shove these in
the pillar-box down the road as you go by.”
Before she realized the situation the letters were in her hands.
“Thanks!” he replied, opening the front door. “Good evening!”
If she had had the presence of mind she would have flung them all back
at him. “I’m not your office-boy,” she might have said.
But presence of mind did not come to her till she was half-way down the
Ridgeway.
She occupied her time as far as the pillar-box by reading the addresses
on all the envelopes....
§ 3
Slowly the perspectives of her life were changing. The old childish
ideas and prejudices ceased to apply. In the matter of George Trant,
for instance....
It is curious, but the more she realized that she was not in love
with him, the more she realized also his essential good nature. At
one time he had been a villain of undepictable blackness, and now,
in the reaction from this melodramatic ideal, he appeared perhaps
more favourably than he deserved. At any rate, he was to all intents
a perfectly honest, well-intentioned young fellow, slightly clever
and of prepossessing manner. Whether he had changed, or whether she
herself had changed, Catherine could not with certainty decide. But
their attitude was fundamentally different from what it had been when
Catherine had met him at Bockley Station after her domestic squall.
Then he had appeared to her malignant, cruel, desirous of entrapping
all innocent girls that came his way. He had been the real villain of
the piece. Now it seemed incredible that she could ever have taken
him so seriously. For he was a very ordinary young man. The glamour
had fallen away from him--that glamour which might have made him a
hero, but which, by irony of circumstances, had made him a villain
instead. Catherine perceived that it was only her crude idealism that
had invested him with Satanic characteristics. She had not a shred of
evidence to convict him of ill-treatment of her. The famous note which
he had sent her from Manchester, and which she had read on the top of
a crowded tram-car, had unfortunately been sacrificed to the dramatic
requirements of the situation, but Catherine, only half remembering
its contents, had a feeling that if she were to read them in the
perspective of several years they would seem wholly inadequate to
justify the profound significance she had given them.
It was apparent now to her that George was hopeless as a villain. He
said cynical things occasionally, but that was only an affectation. In
reality he was a typical example of the rather superior season-ticket
holder. His utmost criminality would not transcend the riding of a
bicycle without a rear light....
Of course his position was immensely complicated by the fact that he
had fallen in love with her....
§ 4
One day (they had met upon the platform at Upton Rising Station) she
tackled him directly.
Public-domain text, read in full here on John Shaqi.
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