Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
So that the position was really complicated instead of being cleared
up. And Catherine’s lie was perhaps excusable. That people should
fall in love with her was natural enough, but that she should display
a similar weakness was extremely undignified, to say the least. And
besides, she was not even sure she _had_ been in love with George
Trant. Was not there in her an instinct which had said (in effect, if
not in so many words): “This is mere sentimental flapdoodle. Wallow as
much as you like in its painful ecstasy, but don’t imagine for a moment
that it’s the real stuff ...?”
§ 5
George Trant was a member of the Upton Arts Club.
In the room over Burlington’s Music Emporium the Upton Arts Club met on
Sunday evenings at 8.30.
One Sunday during the discussion following a paper on “Cézanne and the
Modernists,” George drawled sleepily from his arm-chair by the fire:
“Of course, as a staunch Conservative in politics, I----” A startled
hush fell upon the assembly. “Disraelian, I need hardly say,” he added,
and the amazement was more profound....
§ 6
George Trant was also a member of the Upton Rising Conservative and
Unionist Association.
The Upton Rising Conservative and Unionist Association existed from 8
a.m. till 12 midnight every day for the purpose of playing billiards,
drinking whisky, and reading sporting newspapers. Occasionally its
members would talk politics. It was on one of these comparatively rare
occasions (the topic was Mr. Lloyd George’s Land Tax) that George
announced quietly from behind his evening paper:
“Of course, as a convinced Socialist in the matter of landed property,
I----” The elderly white-whiskered gentlemen were thrilled. “Not
Marxian, I need scarcely add,” resumed George placidly, and the
conviction grew that George Trant was a very strange young man.
The Disraelian Conservative and un-Marxian Socialist acquired the
reputation of being somewhat bewilderingly clever.... The _Bockley
Advertiser_ reported in full his secondings of votes of thanks. The
Arts Club were proud to hear his exposition of “Ibsen: the Man and
the Prophet.” It was in the days when to read Ibsen was to be modern.
And the Conservative Club were never more conscious of their brazen
Philistinism than when he talked to them easily of Scriabin and Ravel
and César Franck.
“And of course one must not forget the Spanish School. There is a great
tendency to ignore the Spanish School nowadays. But it’s wholly unfair.
Such men as ... for instance.”
Even in politics he could be mystifyingly erudite. A reference to
Jeremy Bentham or Ricardo or Huskisson would floor them absolutely...
“Queer chap,” was their verdict. “Must read a lot, I suppose....” And,
content with that explanation, they resumed their billiards or their
whisky or their _Pink ’Un_....
§ 7
Public-domain text, read in full here on John Shaqi.
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