Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
Afternoon saw them jostling in and out amongst the crowded streets of
Cambridge. They garaged the machine, and went to a café for tea.
§ 9
He was full of a kind of boisterous arrogance.
“Stiff little bit from Stortford.... But, of course, we took it awfully
slow.... Road’s not so bad.... Ever been on the road from Aberystwyth
to Dolgelly?”
Catherine had not. (Nor had George for that matter.)
“Awful bit of road, that....” (It occurred to him as being a strip of
road that might conceivably be awful.)
She could see that he was showing off to her. He was proud of his
machine, proud of the white dust on his shoes, of his sun-tanned face,
of his goggles, his gauntlet gloves, and his earflaps. He was superbly
proud of having piloted himself and her from the corner of Bockley
High Street and the Ridgeway to the streets of Cambridge without hitch
or mishap. Six hours ago they were in Bockley. Now they were in a
self-sufficing and exceedingly provincial University town, the very
antithesis of suburbia. And the miracle was his! His hands, his nerve,
his eye had wrought it! He was excusably pleased with himself.
But she was conscious of a curious sense of disappointment. It was now
three months since that evening when he had taken her to Gifford Road
in a taxi. It was three months since she had divined intuitively that
he was in love with her. And during those three months he had been
marvellously reticent, exasperatingly discreet. She had almost begun to
doubt the reliability of her instinct. And though she knew she did not
in the least reciprocate his feelings, she was fascinated by the idea
that she was something incalculable and vital to him. Perhaps it was
sheer pride of conquest, perhaps it was merely her love of compliments
and her extreme gratification at this, the supreme compliment of all.
Or perhaps it was just her own inexplicable perversity.
He was anxious to get back before lighting-up time, and she, for no
very definite reason, was inclined to prefer a quick run under the cool
moonlight. She deliberately delayed him by showing fastidiousness in
the selection of a café. Then she got him talking about the Arts Club.
“I hear you’re going to speak next Sunday.”
“Oh yes--just read a paper, that’s all. On Ibsen’s _Wild Duck_....
Of course, you’ve read it?”
“I’m afraid I haven’t read any Ibsen.”
“Really? ... Oh, you must read him. Awfully good, you know.
Stimulating; modern; very modern. _Doll’s House_, you know.
_Rosmersholm_ and _Little Eyolf_.... And, of course,
_Ghosts_. Absolute biological nightmare--_Ghosts_ ... but
terrifically clever.... I’ll lend you the whole lot if you’ll promise
to read them.”
“Right,” she said. And she thought: “Doesn’t he like to show he knows
more than I know? But if he _is_ in love with me it won’t matter
about that.” (And she could not properly have explained that thought
either.)
But she kept him talking because she saw it was getting late.
§ 10
Public-domain text, read in full here on John Shaqi.
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