Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
On the return journey they stopped to light the lamps at a lonely spot
called Stump Cross, some ten miles out of Cambridge. She watched him
as he stood in front of the machine with the acetylene glare lighting
up his face and his goggles and his earflaps and his gauntlet gloves
and his overalls, and, above all, his expression of stern delight. They
were two solitary figures with hills rolling up and down on either
side of them, and nothing in view save dim distant ridges and a gaunt
sign-post which said: “To London, by Stortford, 45½ miles.”
“We’ll put on a spurt,” he said, clambering into the saddle....
As they entered the outskirts of Bishop’s Stortford at a speed of just
over thirty miles an hour the full moon swept from behind a bank of
clouds and lay in pools over the landscape....
§ 11
It was in the narrow and congested portion of the main street that
something happened. (As a matter of fact they need not have gone
through the town at all: there is a loop road, but George was unwilling
to tackle a road he had not encountered by daylight.) There is no doubt
that George was feeling very conscious of himself as he honk-honked
his way through the crowded roadway. It was a Saturday night, and the
streets were full. As they swerved round the corner of the George Hotel
the huge acetylene beams lit up a sea of faces. Men and women passed
them on the kerb as in a dream: girls with bright eyes and laughing
faces, and men with the unmistakable Saturday night expression flitted
past them shadow-like. It was ecstasy to be swirling past them all at a
pace which, though not fast, had just a spice of danger in it. George,
in his overalls and headgear, looked like a Viking steering his galley
through heavy seas. What was more, he knew he was looking like that,
and was trying desperately to look more like that than ever.
Public-domain text, read in full here on John Shaqi.
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